Author: James Preston Poole

Movie ReviewsReviews

‘Night Swim’ Review: A Shallow January Horror

Few months in the year are as scary to moviegoers as January. After the rush of awards season and holiday blockbusters, audiences spend far less time at the movies. Therefore, the studios dump the films they don’t expect to do very well at the beginning of the new year. Especially horror. The release of Night Swim, however, still feels a bit

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InterviewsNews & Rumors

‘Rebel Moon’ Roundtable Interview with VFX Supervisor Marcus Taormina

Rebel Moon – Part 1: A Child of Fire is one of the year’s most anticipated projects. Writer-director Zack Snyder is a figure of renown and controversy, with his films often splitting audiences right down the middle. Nonetheless, Netflix believed in him enough to greenlight his massive Rebel Moon project. The project will entail a two-part film, including a director’s cut, a comic series,

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ReviewsTV & Streaming Series Reviews

Review: ‘Aquaman and the Lost Kingdom’ Ends The DCEU In Disaster

Aquaman and the Lost Kingdom begins promisingly enough. The DC and Warner Bros. logos are given a crusty, underwater makeover that gets you in the right mood. As a group of mercenaries prepares to do their dirty work, Arthur Curry/Aquaman (Jason Momoa) stares them down. His gaze grows steely. Ass-kicking is certainly in store. Only- the scene cuts to Arthur smashing two

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‘Rebel Moon – Part 1: A Child of Fire’ Review: Sky-High Potential In A Messy Package

Today, the first installment of Zack Snyder’s Rebel Moon releases on Netflix. Saying the name Zack Snyder in and of itself sparks debate. Starting off with audience favorites like the Dawn of the Dead remake and 300, the writer-director took a turn for the polarizing with his adaptation of Watchmen; a trend that continued as he became the architect for the

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Review: Ridley Scott’s Comedy-Epic Hybrid ‘Napoleon’ Is (Mostly) A Triumph

At age 85, Sir Ridley Scott is showing no signs of slowing down. The legendary, and often polarizing, auteur works more consistently than perhaps any modern filmmaker. His five decade-spanning career is hardly marked by safe projects, either. Scott’s the type of filmmaker to come out of the gate with paradigm shifts like Alien and Blade Runner, hit a new high near

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Movie ReviewsReviewsStellar Picks

‘When Evil Lurks’ Review: A Whole Other Level of Fear

Horror, like any genre, is beholden to certain tropes. A well within the genre that’s been run into the ground is the possession sub-genre, to the point where trailers for a new Exorcist film are eliciting eye-rolls instead of the desired terror. Repetition of the same beats from possession films ad nauseam is to blame. To reinvigorate the possession movie, you

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Film FestivalsMovie ReviewsReviews

‘The Creator’ Review: A Perfect Audio-visual Experience With An Imperfect Story

Approaching a Fall/Winter movie season full of promising films, one has stuck out a surprising outlier: Gareth Edwards’ The Creator. The filmmaker burst onto the scene with his debut Monsters, displaying comfortability in playing with human perspective against large-scale threats. He then parlayed that into 2014’s excellent Godzilla, which then catapulted him into 2016’s divisive Rogue One: A Star Wars Story.

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Review: ‘Expend4bles’ Is A Serviceable Sequel That Keeps The Action Franchise Going

Out of all the franchises out there, The Expendables isn’t one where yet another sequel would be expected. After the first film, which opened to decent profit off its premise of teaming iconic action stars such as Sylvester Stallone, Jason Statham, Bruce Willis, Dolph Lundgren, and every other icon your dad grew up on in one movie, a sequel, The Expendables 2, performed even better. The same luck

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Review: ‘Blue Beetle’ Is A Heart-Filled Shot In the Arm For DC Films

It’s been a rough year for films based on DC Comics. The mixed critical reception and box office whimper of Shazam! Fury of the Gods as well as, well, everything surrounding The Flash has resulted in the home stretch of this iteration of the DC Extended Universe (DCEU) becoming a laughing stock for the public at large. Other than Aquaman: The Lost

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