Horror Films & Shows

Movie ReviewsReviews

‘Buddy’ Movie Review: A Twisted, Violent ‘Barney’ Satire

The 2026 horror film Buddy acknowledges a point about Barney the Dinosaur that we’ve all been quietly thinking about for the past thirty years: The purple behemoth is a low-key narcissist. The film by Casper Kelly cleverly unwraps the pop culture craziness of the time period when every child became fixated on a character that ended on a song about “loving”

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Movie ReviewsReviews

‘Colony’ Review: Zombie Thrills Searching for Emotional Center

Colony sees the Train to Busan filmmaker Yeon Sang-Ho return to the zombie genre after the subpar follow-up Peninsula. With his new film, he pivots back to his familiar strengths, taking a group of survivors in a single-location setting and throwing as many flesh-eating zombies at them as humanly possible. But Colony adds new concepts to the zombie mayhem. Colony has

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Movie ReviewsReviews

‘It Ends’ Movie Review: A Well-Made Miserable Ride

It Ends is another entry in the liminal horror craze, focusing on souls getting lost in never-ending familiar voids. Directed by Alex Ullom, the film takes those ideas but removes them from enclosed spaces. Instead, It Ends is on an endless road with no meaning or purpose. Others trapped in the same space either feel overly panicked and volatile or have

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Movie ReviewsReviews

‘Insidious: Out of the Further’ Review: A Strong Start Can’t Save the 6th Film

The first forty-five minutes or so of Jacob Chase’s Insidious: Out of the Further are excellent. In that section, there are two incredible setpieces that genuinely had me on the edge of my seat. One is a Backrooms-inspired liminal horror that sees its protagonist, Gemma (Amelia Eve), trapped in a never-ending, claustrophobic hallway with creepy-looking creatures that do little more than

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Film FestivalsMovie ReviewsReviews

Fantasia Fest 2026: ‘No Rest for the Wicked’ Review

No Rest for the Wicked is an unusually haunting title at Fantasia International Film Festival. One that speaks to the challenges of same-sex relationships through the lens of a supernatural story. The setting is far in the past, but its core themes remain true. The act of love can be treated like a curse by the family members of the LGBTQ+

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Film FestivalsMovie ReviewsReviews

Fantasia Fest 2026: ‘When You Open The Door’ Review

When You Open The Door is one of the more unconventional offerings at the 2026 Fantasia International Film Festival. The film brings a fresh approach to the mythology of werewolves. It takes one main character down a mysterious path as she tries to understand the changes inside her. Unlike previous werewolf interpretations, there is no big monster that attacks the central

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ReviewsTV/Streaming Series & Specials Reviews

‘The East Palace’ Review: Netflix’s Creepy New Supernatural K-Drama

The East Palace is a new dark fantasy series for those who love palace intrigue and spooky supernatural horror. The K-Drama successfully blends horror, humor, mystery, and the supernatural to make it a satisfying and bingeable watch. The 8 episode season, which landed on Netflix on July 17, 2026, was directed by Choi Jung-kyu and written by Kwon So-ra and Seo

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‘Pinocchio: Unstrung’ Review: Robert Englund Elevates the Poohniverse’s Best Story Yet

Since the launch of the Twisted Childhood Universe with Winnie-the-Pooh: Blood and Honey in 2023, the franchise has become synonymous with one thing: taking beloved childhood characters and transforming them into blood-soaked slasher villains with absurd storylines. It’s a fun premise that’s celebrated by hardcore gore hounds but carries little weight in the realm of truly respected filmmaking. That just might

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Film FestivalsMovie ReviewsReviews

Fantasia Fest 2026 Review: ‘Her Private Hell’ is Boring As Hell

During the opening ceremony of the Fantasia International Film Festival, Her Private Hell director Nicolas Winding Refn was awarded a Cheval Noir Career Achievement Award for his contributions to cinema. He made an impassioned plea on the importance of a festival like Fantasia and genre cinema as a whole: “In the mid-90s, when I began, we really couldn’t make genre movies;

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