Obsession accomplishes the impossible. It takes one of the most beautiful human experiences and makes it crawl under your skin. It’s natural to crave human connection or the innate feeling of being wanted. No one ever considers the most extreme version of this scenario. What if someone needed you like a heroin craving? Filmmaker Curry Barker apparently has thought about this extensively. There
Read MoreWe continue our Fantastic Fest 2025 coverage with the latest movie from Yorgos Lanthimos. The filmmaker behind provocative and quirky stories, such as Poor Things and The Favourite, brings a wildly bizarre, dialogue-heavy film called Bugonia. The film made a surprise appearance as one of the secret screenings at the festival. For many attendees, it was a delightful surprise. Bugonia continues
Read MoreFollowing their silly sex crime comedy Drive Away Dolls, Ethan Cohen and Tricia Cooke are reteaming for Honey Don’t!, another raunchy and light-toned comedy and the second of their lesbian B-movie trilogy that instead tries to dip its toes more into the noir and mystery of it all. Unfortunately, in this case, what worked well before with Drive Away Dolls fails
Read MoreDrive-Away Dolls, the latest venture by filmmaker Ethan Coen and partner Tricia Cooke, comes by its R rating honestly. The lesbian comedy is not a kids or family movie by any means, and has a lot of sex. But it is funny, and while it’s definitely a road trip movie, it crosses genres into the rom-com lane matter-of-factly and ends up raunchily endearing. (I’m
Read MoreDiablo Cody has been in the screenwriting game a long time. Her debut, Juno, won her the Academy Award for Best Original Screenplay. She enjoys continued success, notably in her continued collaborations with Juno director Jason Reitman, Young Adult and Tully. The film younger generations tend to latch onto is the Megan Fox starring vehicle Jennifer’s Body. Its queer themes, sardonic comedy, and true horror cement
Read MorePolite Society is a one-of-a-kind coming-of-age story with the drama of Pakistani serials, the flare of Bollywood, the action of Kill Bill, the style of Scott Pilgrim, and the social commentary of Get Out. Nida Manzoor (creator/writer/director of We Are Lady Parts) mashes up so many elements that it defies categories, to what can only be described as Desi-Surrealism. In Polite
Read More
