Movie Reviews

Cosmic Circus has been covering movies and TV/streaming series for over five years now. Please take some time to read through some of our movie reviews below to find out what the writers think of past and new films.

Refer to the Stellar Picks archive to find some of our top-rated movies, shows, books, games, and more!


 

Movie ReviewsReviews

‘Animals’ Movie Review: How the Mighty Have Fallen

The embrace of artificial intelligence in mainstream cinema has been the most depressing sight the medium has ever seen. It’s a total abdication of creativity at every turn as high-profile filmmakers use a technology built on theft to “craft” images that are both unappealing and emotionally hollow. Many might say that “X movie feels like it was made by AI,” but

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‘La Bola Negra’ Review: A Sprawling Generational Epic Hampered by Its Own Sense of Indulgence

Javier Calvo and Javier Ambrossi’s La Bola Negra is a lot to take in. The decade-spanning epic tracks three queer characters at distinct moments in history. The film often feels grand and emotive, simply by looking at the succession of visual (and thematic) juxtapositions thrillingly brought to life by cinematographer Gris Jordana’s eye for painterly, almost God-like, compositions. It can also

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‘Klara and the Sun’ Review: Taika Waititi Destroys Kazuo Ishiguro in Ridiculous Adaptation

Anyone who turned on Taika Waititi post-Hunt for the Wilderpeople may be the most vindicated individuals in the universe upon seeing his adaptation of Kazuo Ishiguro’s Klara and the Sun. The Japanese-British writer’s thought-provoking, emotive prose is reduced to a bevy of unfunny TikTok-lite jokes that hamper a genuinely heartfelt story. This adaptation might have been something truly special on the

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‘Matchbox: The Movie’ Begins a Grim Era for Hollywood

David Ellison and Ynon Kreiz are two of the producers of Sam Hargrave’s Matchbox: The Movie, an adaptation of the popular Mattel IP of the same name. They now run Hollywood’s biggest media conglomerate, Skydance, a company that owns some of the country’s most significant assets and makes Disney’s acquisition of the 20th Century library seem tame by comparison. There’s lots

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‘Animol’ Review: A Hard Hitting, Impressive Prison Drama Which Offers Hope

Animol lifts the lid on the behind-closed doors mystery of the process of youth rehabilitation within a young offender’s institute. This is Ashley Walters‘ directorial debut, as he switches sides to be behind the camera but permits his personal lived experience from those So Solid days to create a gritty, compelling incisive drama that is difficult to look away from! What

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‘Clayface’ Review: A Messy and Meaningless Spin-Off

DC’s Clayface is a character I’ve loved since childhood. There was something incredibly cool about a villain with shape-shifting abilities like the T-1000 from Terminator 2, plus the ability to manipulate his enemies through acting. Not to mention, Clayface had a truly tragic backstory that made him sympathetic. He was always my favorite from the 1990s animated series. DC didn’t really

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‘Wicker’ Review: A Wonderfully Weird and Witty Romance

Wicker isn’t exactly one of those films that’s easy to pin down or theorize what it may be like after your first glance at the logline. Is it more absurdist comedy or does it lean more towards the dramedy realm of things? Is it straight zingers surrounding its central concept, or does there exist an inner earnestness to it all? The

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‘A Talent for Murder’ Review: Helen Mirren and Alden Ehrenreich Shine in Uneven Thriller

The murder mystery is being reinvented in the wake of Rian Johnson’s Knives Out trilogy, though that doesn’t mean every film in the genre will be worthwhile. However, you can see how Johnson’s film served as the blueprint for Anton Corbijn’s A Talent for Murder. Patricia Highsmith’s psychological thriller is refraimed within the trappings of a whodunit, though its conclusion may be

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‘The Saviors’ Review: Prejudice Examined at Length in Dark Spin on ‘Rear Window’

How far can our mistrust of one another take us? That’s the question at the center of Kevin Hamedani’s The Saviors, a paranoid comedy-thriller hybrid that enjoyed its world premiere back in March at the 2026 South by Southwest Festival and a recent showing at Sitges Film Festival. Starring Adam Scott, Danielle Deadwyler, Theo Rossi, and Nazanin Boniadi, The Saviors might

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