‘Verity’ Review: Showalter’s Film Adaptation of Colleen Hoover’s Work Misses the Point
The one good thing about Michael Showalter’s Verity is that it has more verve than previous adaptations of Colleen Hoover’s work. It’s not very good, but at least Showalter has fun with compositions that recall the oeuvres of Brian De Palma and Paul Verhoeven. Plenty of split-diopters and superimpositions create a quasi-campy quality as cinematographer Jim Frohna captures Lowen Ashleigh’s (Dakota
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