Author: Maxance Vincent

Film FestivalsMovie ReviewsReviews

Fantasia Fest 2024 Review: ‘Brave Citizen’ Meows the Fantasia Audience Away

The first thing that usually jolts the first-time Fantasia International Film Festival visitors are the elusive meows that are heard in front of every screening after the head technician says, “Et maintenant…que le film commence!” (“And now… may the film begin!”). As he dims the lights of the Hall Auditorium, the audience begins to meow and sometimes make even weirder cat

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Movie ReviewsReviews

Review: ‘Longlegs’ is the Silliest Horror Film of the Year

It will be very hard to talk about Osgood Perkins‘ latest film, Longlegs, without revealing a single element from its story and characters. From my understanding (I don’t watch trailers when they drop online, only when they appear in front of movies I see in cinemas), the marketing has shrouded its story and Nicolas Cage‘s role in secrecy. It even censored

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Movie ReviewsReviews

‘Beverly Hills Cop: Axel F’ is Eddie Murphy’s Best Film in Years

It’s been a long time coming (thirty years, to be exact), but a new Beverly Hills Cop movie has finally graced our screens. Unfortunately, audiences won’t get a chance to reunite with Eddie Murphy‘s Axel Foley on the big screen, as Netflix would instead prefer to bring this $150 million megablockbuster straight into our living rooms. Of course, they were the

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Movie ReviewsReviews

Pablo Berger’s Oscar-Nominated Animated Feature ‘Robot Dreams’ Finally Releases

I don’t know what happened for NEON to campaign hard for Robot Dreams’ Oscar prospects, only for them not to release it wide until the beginning of June. The movie was eventually nominated for the Academy Award for Best Animated Feature (ultimately losing to Hayao Miyazaki’s The Boy and the Heron), but without the opportunity for the public to actively see

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Movie ReviewsReviewsStellar Picks

‘Bad Boys: Ride or Die’ Movie is a True Work of Action Art

In the first scene of Bad Boys: Ride or Die, it doesn’t take long for directors Adil El Arbi and Bilall Fallah to pull out camera tricks that will ultimately serve the film’s aesthetic during its action-heavy last hour. Marcus Burnett (Martin Lawrence) stops to get a ginger ale at a corner shop and stumbles upon hot dogs (yes, “are those

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Movie ReviewsReviews

Review: Alex Garland’s ‘Civil War’ is an Empty Political Dystopia

When Alex Garland’s Civil War premiered at SXSW, the early reactions were quick to call it a “masterpiece” and an “important warning” or “cautionary tale” about the future of American politics and the state of journalism, as democracy is (quite literally) on the ballot in November. Some even (dared) compare its importance to the likes of Gillo Pontecorvo’s The Battle of

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