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‘Forgotten Island’ Review: Fun Filipino Familiarity At Its Finest

In collaboration between DreamWorks Animation and Sony Pictures Imageworks, here comes Joel Crawford and Januel P. Mercado‘s Forgotten Island. Taking place in the 1990s/early 2000s Philippines, the fantasy comedy film follows two young women about to be separated by a fork in the road. Raissa Molina (voiced by Liza Soberano) is accepted into a university in California, but it comes at

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‘Ha-Chan, Shake Your Booty!’ Elevated by Rinko Kikuchi’s Performance | TIFF 2026 Review

Within the first second of Josef Kubota Wladyka’s Ha-Chan, Shake Your Booty!, the American filmmaker of Polish and Japanese descent immediately grabs our attention with large (and maximalist) title cards that announce a boisterous theatrical event. Divided into six chapters (plus an epilogue), Wladyka follows a Japanese dancer named Haru (Rinko Kikuchi), who competes in ballroom competitions with her boyfriend Luis (Alejandro Edda). A story

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‘Resident Evil’ Review: A Masterful Adaptation | Fantastic Fest 2026

Resident Evil does not follow the video game’s exact plot. This has been a frequent complaint online. While that’s true, none of Paul W. S. Anderson’s movies followed the exact plotline. For the most part, almost none of the movies follow the story, and the only one that came close flopped two years ago. So what is a filmmaker to do? Zach

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‘Insidious: Out of the Further’ Review: A Strong Start Can’t Save the 6th Film

The first forty-five minutes or so of Jacob Chase’s Insidious: Out of the Further are excellent. In that section, there are two incredible setpieces that genuinely had me on the edge of my seat. One is a Backrooms-inspired liminal horror that sees its protagonist, Gemma (Amelia Eve), trapped in a never-ending, claustrophobic hallway with creepy-looking creatures that do little more than

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‘Spider-Man: Brand New Day’ Review: The MCU Finally Gets Its Groove Back

We can thank Destin Daniel Cretton as one of the architects of the MCU’s current and much needed reinvigoration, with the introspective Wonder Man being a major highlight of their post-Avengers: Endgame projects. And now there’s Spider-Man: Brand New Day. The fourth entry in the current Spider-Man franchise finally gives Tom Holland textured material to explore with his character, away from

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‘Spider-Noir’ Series Gives Renewed Hope to a Failing Marvel Universe

It would be fair to say that the Sony Spider-Man Universe (SSU) hasn’t had a particularly great run ever since the release of Ruben Fleischer’s Venom. Apart from those trilogy’s box-office successes, each live-action installment (the Spider-Verse films are innocent) was critically and commercially reviled and became the subject of ironic memes rather than actual fan engagement. J.C. Chandor’s Kraven the Hunter might have killed

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‘Scarlet’ is Mamoru Hosoda’s Most Ambitious Film

Mamoru Hosoda’s Scarlet, a derivative adaptation of William Shakespeare’s Hamlet. The film begins with the most spiritually charged image of the Japanese animator’s career as the titular character (voiced by Mana Ashida) arrives in the “Otherworld,” a purgatory that stands between life and “nothingness.” Scarlet attempts to fight her internal (and external) demons and prove to the forces that be that

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’28 Years Later: The Bone Temple’ Is A Quieter, Gnarlier Second Chapter

Continuing the story of its predecessor’s release from only a couple of months ago, 28 Years Later: The Bone Temple marks the most fascinating point in the franchise’s history creatively. 2025’s 28 Years Later represented a refreshing shift from the rut of the modern legacy sequel, offering one of the most thematically rich studio films in recent times, with cinematography that

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‘Sisu: Road to Revenge’ Review: Hell Yes

What happened for the explosive sequel of a middling actioner no one asked for, Sisu, to be this good? Usually, sequels experience diminishing returns, where the director repeats what worked in the first film without offering much beyond an effective formula that audiences enjoyed the first time and will likely enjoy again. However, in Sisu: Road to Revenge, Finnish filmmaker Jalmari Helander refuses to

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