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‘One Night Only’ Review: Neither Romantic, Nor Funny

Rom-coms on the big screen are back! And by that, we mean films that star two of the most alluring and infectiously charming actors working today but are devoid of romance, comedy, and, most importantly, interest. Oh, and they’re also strangely reactionary and definitely feel like a byproduct of the Trump 2.0 era than what the masses would call “proper escapism.”

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‘Ted Lasso’ Season 4 Review: Believe Again

The previous season of Ted Lasso did not simply finish another chapter; it felt like a goodbye. Ted (Jason Sudeikis) returned to Kansas to his son and ex-wife; Rebecca remained at Richmond and started a women’s team; Roy stepped into a larger coaching role as one of the main coaches; Keeley continued building her own future, and AFC Richmond had transformed from

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‘I Want Your Sex’ Review: Uneven but Delightfully Zany Sex Positive Comedy

It’s been nearly 12 years since Gregg Araki’s last feature film. If anything, what’s most apparent about I Want Your Sex is that the director is letting loose in both poppy stylization and a plea for younger generations to get out and get laid. In the process of providing a silly atmosphere to match its brightly colored zaniness, I Want Your

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‘Ride or Die’ Review: A Bumpy Ride for This Buddy-Action-Comedy

Prime Video’s latest action adventure comedy, Ride or Die, stars Octavia Spencer, Hannah Waddingham, Ed Skrein, Calam Lynch, Savannah Steyn, Sylvia Hoeks, Bill Nighy, and more. The series blends a serious tone of espionage with the lighter themes of a buddy-comedy film, often giving the season some significant tonal whiplash. With that being said, is Ride or Die worth watching? Read more

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‘Widow’s Bay’ Season 1 Review: An Instant Recommendation

Created by comedy mastermind Katie Dippold (Parks and Recreation) with visionary director Hiro Murai (Atlanta), Widow’s Bay is best described as “funny Stephen King.” The show honors 1980s horror with 2020s humor through standout work both in front and behind the camera, and the result is an instant, strong recommendation for almost any audience. Dippold’s comedy writing balances perfectly with Murai’s

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‘Scary Movie’ (2026) Forgets to Be Funny

For some reason, modern audiences are having nostalgia for the Scary Movie franchise. The once-shepherded-by-the-Wayans-Brothers spoof series that parodied contemporary horror cinema had a cult following in the years after its successful release, but none of them were any good. The only ones that were watchable, Scary Movie 3 and Scary Movie 4, had David Zucker’s involvement, one of the masters of

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‘Power Ballad’ Review: Another Solid John Carney Picture

John Carney can’t necessarily be described as “one-trick pony,” even if he makes virtually the same film over and over again. The Irish filmmaker has carved a niche in music-driven dramedies ever since 2007’s Once. That niche became mainstream following his best film, Sing Street, which is widely regarded as one of 2016’s best. If you think he’s run out of

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Boots Riley Loves Movies with ‘I Love Boosters’

It would be futile for me to give you a succinct plot summary of Boots Riley’s I Love Boosters. The movie is the rapper-turned-filmmaker’s sophomore effort in the world of cinema following Sorry to Bother You and, most recently, a digression inside the world of television with the limited series I’m a Virgo. It would also be futile for me to

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Welcome to Nostalgia Bait Hell: ‘The Devil Wears Prada 2’

In a key scene from The Devil Wears Prada 2, Meryl Streep’s Miranda Priestly gently asks Stanley Tucci’s Nigel if she’s been taking advantage of him for the past 20 years. The scene is played as if it comes from a genuine place, seemingly intended to make viewers say “aww” as Miranda finally recognizes her second-in-command’s skill and dedication to the

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