If you didn’t think you had enough of The Karate Kid after six incredible seasons of Cobra Kai, think again! Sony is bringing the iconic franchise back to the big screen in Karate Kid: Legends, a legacy sequel that wants to capitalize on the success of both iterations of the film & television series (the universe of the 1984 film created
Read More$320 million. Three hundred and twenty million dollars. That is the budget of Anthony and Joe Russo’s latest post-Avengers: Endgame blockbuster, The Electric State, an adaptation of Simon Stålenhag’s graphic novel of the same name. $320 million for a direct-to-streaming piece of “content” that will never see the light of day in a cinema beyond promotional screenings, nor will it ever
Read MoreAfter the incredible commercial success of Longlegs, bolstered by a clever marketing campaign, many audience members eagerly anticipated seeing what Osgood Perkins would come up with next. It turns out they didn’t have to wait very long, as his latest feature, The Monkey, was already in the can when Longlegs bowed out in cinemas. Adapted from the short story of the
Read MoreLike many of you, I was ready to deride Barry Jenkins for “selling out” after accepting the gig of helming the prequel to one of the most soulless and unimaginative remakes ever made in Mufasa: The Lion King. Walking into the theatre to witness this would-be catastrophe in IMAX 3D, I couldn’t wrap my head around why Jenkins wanted to subject
Read MoreGuy Maddin, Evan Johnson, and Galen Johnson’s film Rumours is very telling of what I like about cinema. Everything I love about the art form is found in this picture: experimentation with an ever-changing aesthetic, satirical jokes that take zero prisoners, and a slight jab at the audience for sitting through a movie that does not reward or fulfill them in
Read MoreAfter many years of bathing in the most egregious clichés and emotional trappings, the romantic drama desperately needs reinvention. Look no further than director John Crowley, who made a potential solution to a decaying genre with We Live in Time, a clichéd romantic story told in a scattershot, non-linear narrative. Its structure is highly communicative, too, juxtaposing moments of high-spirited joy
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