Fantasy Films & Shows

Movie ReviewsReviews

‘Wildwood’ Review: A Stop-Motion Game Changer

Wildwood is an extremely mystifying experience. For most of the runtime, Laika Studios kept me in a constant state of questioning. Not in terms of plot or character beats, but in how exactly any of this is possible. As a studio, Laika has always been in a league of its own, creating exceptional visual masterworks in stop-motion animation. However, their 2026

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Movie ReviewsReviews

‘Wicker’ Review: A Wonderfully Weird and Witty Romance

Wicker isn’t exactly one of those films that’s easy to pin down or theorize what it may be like after your first glance at the logline. Is it more absurdist comedy or does it lean more towards the dramedy realm of things? Is it straight zingers surrounding its central concept, or does there exist an inner earnestness to it all? The

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ReviewsTV & Streaming Series Reviews

‘House of the Dragon’ Season 3 Review: Shocking Betrayals and Epic Battles

After only eight weeks, House of the Dragon season 3 has officially ended. Sunday night’s brutal episode capped off a season that, at times, felt like being hit by a freight train. The weight of the crown was put on full display this season, providing the audience with a consistently riveting pace and devastating impact. The third season features shocking betrayals,

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ReviewsTV & Streaming Series Reviews

‘The East Palace’ Review: Netflix’s Creepy New Supernatural K-Drama

The East Palace is a new dark fantasy series for those who love palace intrigue and spooky supernatural horror. The K-Drama successfully blends horror, humor, mystery, and the supernatural to make it a satisfying and bingeable watch. The 8 episode season, which landed on Netflix on July 17, 2026, was directed by Choi Jung-kyu and written by Kwon So-ra and Seo

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‘Avatar Aang: The Last Airbender’ Review: Continuing A Legacy of Animation Excellence

Nearly two decades after the original show concluded, Avatar: The Last Airbender influence can still be felt across comic books, so far two animated spin-offs, fan-fic storytelling, games, and television as a whole. From the beginning, it wasn’t simply the beautifully written world or the stunning element bending that gathered audiences in front of the TV. It was the emotionally mature

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Movie ReviewsReviewsStellar Picks

‘The Odyssey’ Review: A Pure Visionary Achievement

The Odyssey is a fascinating follow-up to Christopher Nolan’s Oppenheimer. In fact, it might be the film I was hoping Oppenheimer might become. A movie about a man conflicted by his responsibilities in changing the world through destruction, but the key difference is that Nolan places Odysseus face-to-face with his sin, while Oppenheimer lost its way. Here, Odysseus is confronted with the

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ReviewsTV & Streaming Series Reviews

‘Avatar: The Last Airbender’ Season 2 Review

The original animated series of Avatar: The Last Airbender is considered one of the greatest fantasy television shows ever created. This is not only because of its world-building and action but also because of the emotional depth hidden beneath its seemingly simple premise. The first season of Netflix’s adaptation managed to attract a large audience yet was also not what the fans

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ReviewsStellar PicksTV & Streaming Series Reviews

‘The Amazing Digital Circus: The Last Act’ Review: A Fitting Finale For Fervent Fans

Gooseworx‘s The Amazing Digital Circus follows young people trapped in a virtual realm. Characters embark on various quests, similar to Pendleton Ward‘s Adventure Time or Jonathan Nolan and Lisa Joy‘s Westworld. Jester-like protagonist Pomni (voiced by Lizzie Freeman) befriends other “avatars” stuck in the circus. Together, they face non-playable characters (NPCs), explore a haunted manor, run a fast food joint, and

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Movie ReviewsReviews

‘Masters of the Universe’ Review: A Bowl of Sugary Spectacle

Masters of the Universe is an adaptation that could only be made in 2026. In a different Hollywood system, the movie would be ripe for marketing towards the “meathead” action-based market. The first attempt with Dolph Lundgren, for example, was clearly a product of the old thinking. That somehow, macho, masculine behavior, and fantasy are box office-winning formulas. Filmmaker Travis Knight’s

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