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‘Clayface’ Review: A Messy and Meaningless Spin-Off

DC’s Clayface is a character I’ve loved since childhood. There was something incredibly cool about a villain with shape-shifting abilities like the T-1000 from Terminator 2, plus the ability to manipulate his enemies through acting. Not to mention, Clayface had a truly tragic backstory that made him sympathetic. He was always my favorite from the 1990s animated series. DC didn’t really

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‘Digger’ Review: A Gigantic Swing and a Miss

Digger is the most interesting film to release in 2026. Not because of its quality, but because, with all its marketing, posters, and Tom Cruise hype, when I sat down to watch the film, I soon realized I knew absolutely nothing about it. Outside an AMC Dolby theater, a few of us mused about what the film might be. Austin Powers

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‘Evil Dead Burn’ Review: Violent, Visceral, and Shockingly Humorous Horror

Evil Dead Burn continues the franchise’s merry tradition of brutally assaulting its audience with flinch-inducing horror. The movie makes good on that promise as the film opens with a victim being barbed by a swarm of fishing hooks as a deadite reels in her prey by the face. With almost half a dozen movies in this franchise, filmmaker Sébastien Vaniček and

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‘Supergirl’ Review: Soaring on Milly Alcock’s Charisma

Supergirl is a movie with a preset of internet haters ready to cast vitriol against the film regardless of the outcome. For most of those naysayers, they probably don’t know why they are eager to cast a dark cloud on the property, except for a “girl in hero costume bad” mentality. The anger towards this specific movie is even more questionable

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‘Mortal Kombat II’ Review: A Sequel That Hits Hard and Ages Harder

Mortal Kombat II has everything a movie based on the video game should have. There are extended fight scenes with excessive gore, faithful character portrayals, and visual recreations of various game levels. Yet, for a movie that hasn’t even been released in theaters, it feels as dated as a Sega Genesis console. The sequel introduces new ideas. One of them is bringing

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‘Lee Cronin’s The Mummy’ is Squishy, Silly Horror with Less Edge

Lee Cronin’s The Mummy sees the Evil Dead Rise director take on a classic movie monster for Blumhouse, following the efforts of properties like The Invisible Man and Wolf Man. For the most part, the latest attempt is successful, especially after the mixed results of Wolf Man. However, the win comes with a few reservations. The movie delivers exactly as advertised.

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Happy Feet: Revisiting the Beloved Animated Classic

Producer George Miller, co-producers Judy Morris and Warren Coleman, and John Collee’s musical comedy adventure animated film, Happy Feet, briefly returned to Regal Theaters this past weekend. This is due to their “And the Award Goes to…” daily re-release of award-winning films for the month of March, from the classics to this year’s Academy Awards nominees. Revisiting Happy Feet I remember

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‘The Bride!’ Movie Review with John & Vin | Cosmic Circus Reviews

John and Vin are back at it again, this time with a discussion about The Bride! starring Jessie Buckley and Christian Bale. The film was directed and written by Maggie Gyllenhaal and based on Frankenstein by Mary Shelley, with cinematography by Lawrence Sher, edited by Dylan Tichenor and music by Hildur Guðnadóttir. Did Vin and John enjoy The Bride! at all?

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‘The Bride!’ Is A Bizarre, Messy Swing You Can’t Look Away From

When the credits roll on Maggie Gyllenhaal’s The Bride! it’s impossible to think that anyone would come away from it having no strong feelings, to say the least. The film acts as a complete revamping of the 1935 classic Bride of Frankenstein, which changes everything about it from the settings to the central framing of its story. Gyllenhaal follows up her

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