Wildwood is an extremely mystifying experience. For most of the runtime, Laika Studios kept me in a constant state of questioning. Not in terms of plot or character beats, but in how exactly any of this is possible. As a studio, Laika has always been in a league of its own, creating exceptional visual masterworks in stop-motion animation. However, their 2026
Read MoreDC’s Clayface is a character I’ve loved since childhood. There was something incredibly cool about a villain with shape-shifting abilities like the T-1000 from Terminator 2, plus the ability to manipulate his enemies through acting. Not to mention, Clayface had a truly tragic backstory that made him sympathetic. He was always my favorite from the 1990s animated series. DC didn’t really
Read MoreYou Can See Everything shows Nathan Fielder asking Elizabeth Holmes one simple question: “Are you being real right now?” It’s a question that drove the marketing to popularity, as the scene shows Holmes radiating big puppy eyes, innocently tilting her head, and responding, “I’m always being real.” Without context, it looks like Fielder is in psychological warfare with one of the
Read MoreDigger is the most interesting film to release in 2026. Not because of its quality, but because, with all its marketing, posters, and Tom Cruise hype, when I sat down to watch the film, I soon realized I knew absolutely nothing about it. Outside an AMC Dolby theater, a few of us mused about what the film might be. Austin Powers
Read MorePrimetime is the type of film that could easily have been a disaster. It’s a very difficult task to put the audience against someone who is catching child predators. Especially since Chris Hansen has done work beyond the network juggernaut To Catch a Predator to help reduce child trafficking at home and abroad. However, since the documentary Predators, there has been
Read MoreWild Horse Nine is another Martin McDonagh movie that finds remorse in the scummiest of scumbags. In In Bruges, McDonagh made two unlikely hitmen hilarious and somehow empathetic, mostly through the performances of Colin Farrell and Brendan Gleeson. His new film, Wild Horse Nine, does something similar. The film follows two men in a tedious profession and the friendship they have
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