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‘Crystal Lake’ Season 1 Review: A Horror-Drama Prequel for Patient ‘Friday the 13th’ Fans

Once news broke that A24 and Peacock would collaborate on a Friday the 13th prequel series, titled Crystal Lake, I was instantly excited. This isn’t the first project within Sean S. Cunningham and executive producer Victor Miller‘s franchise in recent years. Currently named “Jason Universe,” the franchise got a taste of Sweet Revenge in August of last year. The 13-minute short

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‘You Can See Everything’ Review: A Groundbreaking Documentary

You Can See Everything shows Nathan Fielder asking Elizabeth Holmes one simple question: “Are you being real right now?” It’s a question that drove the marketing to popularity, as the scene shows Holmes radiating big puppy eyes, innocently tilting her head, and responding, “I’m always being real.” Without context, it looks like Fielder is in psychological warfare with one of the

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‘Primetime’ Review: A Stylish Descent Into Network TV | Fantastic Fest 2026

Primetime is the type of film that could easily have been a disaster. It’s a very difficult task to put the audience against someone who is catching child predators. Especially since Chris Hansen has done work beyond the network juggernaut To Catch a Predator to help reduce child trafficking at home and abroad. However, since the documentary Predators, there has been

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Fantastic Fest 2026: Our 8 Most Anticipated Films

At Fantastic Fest 2026, the amazing people at Alamo Drafthouse on South Lamar have curated a lineup full of titles with great potential. We’re anticipating so many films that it was difficult to fit everything that deserves to be on my list. Last year at the film festival was incredible to experience with films like Bugonia, Primate, and so much more,

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‘The Invite’ Review: A Rare Remake that Surpasses the Original

It’s rare to find a remake of an international film that’s better than its original text, but this is what Olivia Wilde does with The Invite. The film adapts Cesc Gay’s The People Upstairs for an American audience, which was also remade in Italy, Switzerland, France, and South Korea. Wilde, along with screenwriters Will McCormack and Rashida Jones, elevates the original film’s

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‘The Death of Robin Hood’ Review: Poetic and Painfully Bleak

The Death of Robin Hood is a difficult pill to swallow. For most of us, the idea of Robin Hood evokes spectacle and adventure. He is the archery equivalent of King Arthur, supplying action, adventure, and a sense of nobleism. With a filmmaker like Michael Sarnoski, the director of Pig, one of the most sincere films about empathy, one might expect

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‘Backrooms’ Review: Kane Parsons Has The Courage To Get Weird

Backrooms is about to have a massive opening weekend. The YouTube short by Kane Parsons has a successful following. One might say his take on the creepypasta has the same demo as the Five Nights at Freddy’s crowd. There’s no other way to say it. I’m not sure how audiences will receive this film. For a movie popular with today’s youth,

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‘Mother Mary’ is an Utterly Hypnotic Exploration of Artistic Integrity, Fame, and Horror

Mother Mary is the latest of director David Lowery’s line of metaphorical surrealist experimentation within his filmography. Lowery’s previous films, such as The Green Knight and A Ghost Story, tapped into a far more fantasy-oriented surrealism than what’s explored within Mother Mary, but it makes for his most fascinating delve into this euphoric filmmaking style yet. Mother Mary plays with the

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Kristoffer Borgli Takes a Big Risk with ‘The Drama’

It is extremely difficult to talk about Kristoffer Borgli’s latest movie, The Drama, without mentioning the big twist that looms large regarding Charlie (Robert Pattinson) and Emma’s (Zendaya) union. What starts as a carefree, dynamic romantic comedy morphs into something else entirely… fifteen minutes after an opening montage that distills a picture-perfect marriage proposal between Charlie and Emma. The former is

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