It’s rare to find a remake of an international film that’s better than its original text, but this is what Olivia Wilde does with The Invite. The film adapts Cesc Gay’s The People Upstairs for an American audience, which was also remade in Italy, Switzerland, France, and South Korea. Wilde, along with screenwriters Will McCormack and Rashida Jones, elevates the original film’s
Read MoreThe Death of Robin Hood is a difficult pill to swallow. For most of us, the idea of Robin Hood evokes spectacle and adventure. He is the archery equivalent of King Arthur, supplying action, adventure, and a sense of nobleism. With a filmmaker like Michael Sarnoski, the director of Pig, one of the most sincere films about empathy, one might expect
Read MoreBackrooms is about to have a massive opening weekend. The YouTube short by Kane Parsons has a successful following. One might say his take on the creepypasta has the same demo as the Five Nights at Freddy’s crowd. There’s no other way to say it. I’m not sure how audiences will receive this film. For a movie popular with today’s youth,
Read MoreMother Mary is the latest of director David Lowery’s line of metaphorical surrealist experimentation within his filmography. Lowery’s previous films, such as The Green Knight and A Ghost Story, tapped into a far more fantasy-oriented surrealism than what’s explored within Mother Mary, but it makes for his most fascinating delve into this euphoric filmmaking style yet. Mother Mary plays with the
Read MoreIt is extremely difficult to talk about Kristoffer Borgli’s latest movie, The Drama, without mentioning the big twist that looms large regarding Charlie (Robert Pattinson) and Emma’s (Zendaya) union. What starts as a carefree, dynamic romantic comedy morphs into something else entirely… fifteen minutes after an opening montage that distills a picture-perfect marriage proposal between Charlie and Emma. The former is
Read MoreUndertone digs at the unnerving fear of emptiness. Not in the sense of space, but the way noise occupies a room. For instance, when some of us need sound to fall asleep or the way we need a television on in the background to get chores done. It’s the anticipated nervousness that if everything becomes silent, something unexpected might fill the
Read MoreMany might not know that John Patton Ford’s latest film, How to Make a Killing, is loosely based on Robert Hamer’s 1949 classic Ealing comedy Kind Hearts and Coronets. The 1949 film was adapted from Roy Horniman’s Israel Rank: The Autobiography of a Criminal. If you’ve seen Hamer’s film, chances are you’ve seen Patton Ford’s reinterpretation. It sadly doesn’t do much to
Read MoreThe Moment takes a satirical angle in a new mockumentary about Charli XCX’s success around the release of her album Brat. It’s a meta dissection of the process of becoming a pop icon overnight, with an interesting balance of humor and authenticity. None of us can fully understand the overwhelming insecurities of trying to maintain an image while making quick decisions with
Read MoreSundance 2026 is upon us, which means it is time to discuss the films we are the most excited about. Last year had a remarkable lineup, including Train Dreams, Omaha, If I Had Legs I’d Kick You, and so much more. The 2025 festival also featured groundbreaking documentaries, including The Perfect Neighbor and Life After. It was one of the best
Read MoreMarty Supreme finds Timothée Chalamet reaching Leonardo DiCaprio’s strengths of performance. As an actor, Chalamet has more than demonstrated his talent, with a diverse portfolio of films ranging from musicals to sci-fi epics. But with Marty Supreme, the 29-year-old performer exudes a charismatic presence reminiscent of his mentor’s (DiCaprio’s) style in The Wolf of Wall Street. From an individual standpoint, Marty Mauser
Read MoreA24’s Eternity is a story about the journey rather than the destination. The question of whether an afterlife exists and what it consists of has been a topic of debate since the beginning of time. Since the advent of film, filmmakers have endeavored to explore this concept. Eternity presents an afterlife where the newly deceased must choose a destination to spend their
Read MoreOur Fantastic Fest 2025 coverage continues with an unexpected gem. The movie If I Had Legs, I’d Kick You made its Texas premiere at the intimate Alamo Drafthouse venue in Austin, TX. The film grapples with an uncomfortable discussion about caregiving. And while there are many forms of care, this movie targets the stresses of being a single mother or a
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