Author: John Dotson

Movie ReviewsReviews

‘Molli and Max in the Future’ Review: A ‘When Harry Met Sally’ Inspired Galactic Rom-Com

Imagine a movie that combines Tron, Guardians of the Galaxy, and, somehow, When Harry Met Sally. Once the image of the film appears, add astral projections, cults, cosmic gods, and interdimensional trash planets. For most filmmakers, throwing this number of fantastic concepts into one film would be too much luggage. But Michael Lukk Litwak’s writing and direction in Molli and Max

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Film FestivalsMovie ReviewsReviews

‘She is Conann’ Review: A Banksy-inspired Vision of Conan the Barbarian

She is Conann is not a Conan film. The characters are mostly here, including the addition of Red Sonja. But the acid dream of She is Conann has other ideas on its mind. In a weird, nightmarish feminine LGTBQ vision of the Barbarian. We see the iconic character through various stages of her life, bathing the brutal character’s journey in a tub of

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Review: ‘All of Us Strangers’ is a Heart-wrenching Daydream

As a disclaimer, when it comes to the subject of LGTBQ, there are far better voices to discuss this film, especially among The Cosmic Circus writers. After seeing All of Us Strangers, it was a wish that this writer had someone like Head Writer Brian Kitson to discuss the movie’s themes. What did it mean to them? How accurate are the

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Review: ‘The Iron Claw’ is Devastatingly Powerful

A while back, there was a critic who spoke online about being rejected by an organization. The reason: He put too much himself into the reviews. The notion of this seems baffling. Movies, television shows, novels, and even music impact us partially due to life experiences. Asking someone to rebel against cinematic connection seems criminal. But with The Iron Claw, the urge to

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Review: Hayao Miyazaki’s ‘The Boy and the Heron’ is a Farewell Poem

Hayao Miyazaki is easily one of the greatest storytellers of our time. The imagination and artistry on display with each project showcases an auteur who dreams of worlds beyond our understanding. Like Spider-Man: Across the Spider-verse, every image of this film can be a poster, keepsake, wallpaper, etc. His latest effort, The Boy and the Heron, continues to demonstrate Miyazaki’s powers. However, this might be one of his

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Review: ‘Poor Things’ is a Bizarre Frankenstein Sex Comedy

Yorgos Lanthimos is one of the most fascinating filmmakers working in the industry. His films are anything but conventional and redefine weirdness in ways that might make Tim Burton envious. With his latest film, Poor Things, the director continues to explore humanistic themes through comedic and body horror/humor aesthetics.  The Lobster (2015) deals with romance through the eyes of characters having to find

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Review: ‘Monarch: Legacy of Monsters’ is an Entertaining Beast

Monarch: Legacy of Monsters, much like Godzilla, is a kaiju of an experience. The new show aims to give the same feel as the current Monster-verse films, offering titan mayhem and even Godzilla himself. Apple TV+ certainly has the money to experiment with such a task, and for the most part, no penny is wasted on the small moments it becomes a

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Review: ‘Five Nights at Freddy’s’ is Flawed but Forgivable

Growing up, this writer enjoyed shows like Little Monsters and Nickelodeon’s Are You Afraid of the Dark. However, at 10 or 11 years old, my interest grew into more intense horror films like Scream. Attending Five Nights at Freddy’s brought back memories of these early experiences. While Little Monsters, Goosebumps, and Are You Afraid of the Dark may not be considered classical horror or memorable adult entertainment, they provide a gateway

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Review: ‘The Exorcist: Believer’

Here we go again. Another exorcism movie brought to us by Hollywood after decades of failing to match the one that made them a mainstream commodity: The Exorcist. And another sequel to the property, no less. For the most part, it’s hard to have anticipation for this genre of horror anymore. Most of them try to replicate the shock-filled brilliance of

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