A scholar of the Cannon Group, French genre auteur Jean-François Richet is no stranger to big, goofy actioners. His last movie, Plane, was mocked for its title but lauded as an effective and downright nasty vehicle that would’ve made a killing if it had been released in the 1980s and starred Chuck Norris instead of Gerard Butler. Richet has now reached
Read MoreJohn and Vin are back talking about the films Obsession and The Furious, both of which John was able to see at the Dallas International Film Festival earlier this year. Vin also chats about films he saw at the Timeless Film Festival Warsaw. Lastly, they talk briefly about revisiting the Back to the Future films after a movie marathon. The Timeless
Read MoreWe continue our coverage of the Dallas International Film Festival with The Furious. As a film, The Furious promises exactly what its title advertises: many angry characters. And when the film begins, the emotions are immediately justified as a kid takes an arrow to the face. Akin to John Wick, the film has a clear antagonist. For the John Wick franchise, it was a villain
Read MoreAs J. Daniel Atlas states in this film, “In the world of magic, everything that disappears reappears.” The same rings true for the franchise itself, as Now You See Me: Now You Don’t marks the return of the film series after nearly 10 years. The mix of absolute absurdity within the confines of what a magic trick can truly be compared
Read MoreGood Fortune sees Aziz Ansari return to storytelling since Master of None. Similar to that series, Ansari brings a rich commentary to his latest film. Master of None made Ansari an award winner with the segment “Parents,” which spoke about the immigrant experience and the entitlement of second-generation children. With Good Fortune, he scripts a wild blend of Heaven Can Wait
Read MoreProducer Francis Lawrence and J.T. Mollner’s coming-of-age dystopian survival horror-thriller, The Long Walk, has finally strode into theaters. Based on executive producer Stephen King’s 1979 novel of the same name under King’s pseudonym, Richard Bachman, the adaptation follows a selection of fifty teenage boys chosen to walk endlessly down a road at three miles per hour. In a year that includes
Read MoreThe film Twinless discusses the tragedy of losing a twin. For most of us, it’s not a common experience we might face. The feeling is mostly shared within a specific group. However, the film by James Sweeney suggests that the sense of losing connection is universal. Especially in grief, where losing a loved one can make it feel like a part
Read MoreFrom the World of John Wick: Ballerina has faced considerable confusion in recent weeks, primarily due to a puzzling embargo that instructed influencers to share only positive reactions. The embargo leak went viral, sparking concern regarding the film’s quality. The resulting controversy and fears were difficult to ignore, especially since the spin-off television show The Continental also received a lukewarm reception.
Read MoreAfter a lengthy spell in development purgatory, and various changes in lead actor, The Killer’s Game has finally hit theaters. Starring Dave Bautista as Joe Flood, this movie has nearly equal parts of a romantic comedy and action that at times feels like a parody of both. There are shades that a couple of other movies do better, but ultimately, this
Read MoreThe Crow is a new 2024 film adaptation of the 1989 comic by James O’Barr. Directed by Rupert Sanders and written by Zach Baylin & William Schneider, the film stars Bill Skarsgård as The Crow and FKA Twigs as Shelly. This is the first film adaptation of the comic since the 1994 cult classic of the same name, directed by Alex Proyas and written
Read MoreGuy Ritchie is one of my favorite directors, who makes movies with a real passion, and a unique Brit-humor. He made Sherlock Holmes, The Gentlemen, The Man from U.N.C.L.E., and many more movies that people are still talking about. So when the trailer for The Ministry of Ungentlemanly Warfare came out, I knew wanted to watch it as soon as I
Read MoreThere’s something about dogs in major motion pictures that sucker-punches me in the gut the older I get. The first film I saw that predominantly featured a canine that wasn’t a children’s comedy was Marley and Me. Those who have seen that film know how emotionally charged that film is, which left me in a puddle of tears. Since that infamously
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