Author: John Dotson

Movie ReviewsReviews

‘Evil Dead Burn’ Review: Violent, Visceral, and Shockingly Humorous Horror

Evil Dead Burn continues the franchise’s merry tradition of brutally assaulting its audience with flinch-inducing horror. The movie makes good on that promise as the film opens with a victim being barbed by a swarm of fishing hooks as a deadite reels in her prey by the face. With almost half a dozen movies in this franchise, filmmaker Sébastien Vaniček and

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Movie ReviewsReviews

‘Supergirl’ Review: Soaring on Milly Alcock’s Charisma

Supergirl is a movie with a preset of internet haters ready to cast vitriol against the film regardless of the outcome. For most of those naysayers, they probably don’t know why they are eager to cast a dark cloud on the property, except for a “girl in hero costume bad” mentality. The anger towards this specific movie is even more questionable

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Movie ReviewsReviews

‘The Death of Robin Hood’ Review: Poetic and Painfully Bleak

The Death of Robin Hood is a difficult pill to swallow. For most of us, the idea of Robin Hood evokes spectacle and adventure. He is the archery equivalent of King Arthur, supplying action, adventure, and a sense of nobleism. With a filmmaker like Michael Sarnoski, the director of Pig, one of the most sincere films about empathy, one might expect

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‘Disclosure Day’ Review: Spielberg Takes a Thrilling Sci-Fi Swing

Back in the early 2000s, Roger Ebert dubbed Minority Report a “triumph” during a time, as he called it, “when movies think they have to choose between action and ideas.” And this was during a creative era for Spielberg, when the iconic director felt emboldened to explore new territory. UFOs may not be fresh material for the E.T. filmmaker, but Disclosure Day feels very

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Movie ReviewsReviews

‘Masters of the Universe’ Review: A Bowl of Sugary Spectacle

Masters of the Universe is an adaptation that could only be made in 2026. In a different Hollywood system, the movie would be ripe for marketing towards the “meathead” action-based market. The first attempt with Dolph Lundgren, for example, was clearly a product of the old thinking. That somehow, macho, masculine behavior, and fantasy are box office-winning formulas. Filmmaker Travis Knight’s

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‘Backrooms’ Review: Kane Parsons Has The Courage To Get Weird

Backrooms is about to have a massive opening weekend. The YouTube short by Kane Parsons has a successful following. One might say his take on the creepypasta has the same demo as the Five Nights at Freddy’s crowd. There’s no other way to say it. I’m not sure how audiences will receive this film. For a movie popular with today’s youth,

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‘Mortal Kombat II’ Review: A Sequel That Hits Hard and Ages Harder

Mortal Kombat II has everything a movie based on the video game should have. There are extended fight scenes with excessive gore, faithful character portrayals, and visual recreations of various game levels. Yet, for a movie that hasn’t even been released in theaters, it feels as dated as a Sega Genesis console. The sequel introduces new ideas. One of them is bringing

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Movie ReviewsReviews

‘Hokum’ Review: A Solid Spookhouse Throwback

Hokum sees filmmaker Damian McCarthy return with another horror film that balances a mystery with supernatural creepiness. His previous effort, Oddity, made great use of the terror of inanimate objects moving. For almost 100 minutes, viewers would scan the background as characters talk in the foreground. And the same question would always arise: Did that giant mannequin-sized doll move? Hokum does not linger on the fear of sentient

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Film FestivalsMovie ReviewsReviews

‘The Furious’ Movie Review | DIFF 2026

We continue our coverage of the Dallas International Film Festival with The Furious. As a film, The Furious promises exactly what its title advertises: many angry characters. And when the film begins, the emotions are immediately justified as a kid takes an arrow to the face. Akin to John Wick, the film has a clear antagonist. For the John Wick franchise, it was a villain

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