Author: John Dotson

Film FestivalsMovie ReviewsReviews

No Rest for the Wicked’ Review | Fantasia Fest 2026

No Rest for the Wicked is an unusually haunting title at Fantasia International Film Festival. One that speaks to the challenges of same-sex relationships through the lens of a supernatural story. The setting is far in the past, but its core themes remain true. The act of love can be treated like a curse by the family members of the LGBTQ+

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‘When You Open The Door’ Review | Fantasia Fest 2026

When You Open The Door is one of the more unconventional offerings at the 2026 Fantasia International Film Festival. The film brings a fresh approach to the mythology of werewolves. It takes one main character down a mysterious path as she tries to understand the changes inside her. Unlike previous werewolf interpretations, there is no big monster that attacks the central

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‘You Are The Film’ Review | Fantasia Fest 2026

Fantasia International Film Festival 2026 brought a familiar talent to the festival. You Are The Film sees playwright Makoto Ueda bring another playful sci-fi concept, only this time he takes a unique spin on the multiverse craze. Ueda, who previously scripted minimalist pieces in the genre such as Beyond the Infinite Two Minutes, River, and Rewrite, moves away from the theme of

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Fantasia Fest 2026: Our Five Most Anticipated Films

Fantasia International Film Festival 2026 kicks off this week, and we are back once again to cover the biggest movies from the lineup. Last year brought many great titles, such as Rewrite, Foreigner, and more. The event also featured Sundance darlings like Undertone and Lurker. This year is another stacked lineup with films like Her Private Hell, Corpus, and more Sundance

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‘The Odyssey’ Review: A Pure Visionary Achievement

The Odyssey is a fascinating follow-up to Christopher Nolan’s Oppenheimer. In fact, it might be the film I was hoping Oppenheimer might become. A movie about a man conflicted by his responsibilities in changing the world through destruction, but the key difference is that Nolan places Odysseus face-to-face with his sin, while Oppenheimer lost its way. Here, Odysseus is confronted with the

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‘Evil Dead Burn’ Review: Violent, Visceral, and Shockingly Humorous Horror

Evil Dead Burn continues the franchise’s merry tradition of brutally assaulting its audience with flinch-inducing horror. The movie makes good on that promise as the film opens with a victim being barbed by a swarm of fishing hooks as a deadite reels in her prey by the face. With almost half a dozen movies in this franchise, filmmaker Sébastien Vaniček and

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