Nirvanna the Band the Show the Movie is Matt Johnson’s continuation of the television series of the same name, which follows the fictitious antics of Johnson and his best friend Jay McCarrol as they attempt (and fail) to book a show at The Rivoli, as if the Toronto-based café was as complex to book as Madison Square Garden. Before propelling into the
Read MoreMamoru Hosoda’s Scarlet, a derivative adaptation of William Shakespeare’s Hamlet. The film begins with the most spiritually charged image of the Japanese animator’s career as the titular character (voiced by Mana Ashida) arrives in the “Otherworld,” a purgatory that stands between life and “nothingness.” Scarlet attempts to fight her internal (and external) demons and prove to the forces that be that
Read MoreIt appears that Ric Roman Waugh is this year’s Richard Linklater, having released two movies in the span of a month. While the first title of his January compendium, Greenland 2: Migration, unfortunately did not have a theatrical release outside the United States, his latest effort, Shelter, is getting a global rollout, and it might just be the most January movie
Read MoreIt may be easy to dismiss Ángel Manuel Soto’s The Wrecking Crew as a fake-looking piece of “content” that only serves to fill an ever-expanding algorithm on Prime Video. You could be right to think this way, since none of the promotional materials have fully advertised the film’s pleasures the way they should have. The movie was also essentially dumped on
Read MoreThe great formalist Sam Raimi has done it again with Send Help and continues to prove why he’s one of the best genre artists working today. Of course, it (pun intended) helps that his two leads, Rachel McAdams and Dylan O’Brien, go all in with Raimi’s flashy, kinetic expressions, as the two protagonists fight for survival within the confines of a
Read MoreIt feels strange that Doug Liman’s Edge of Tomorrow, the American adaptation of Hiroshi Sakurazaka’s All You Need Is Kill, is somehow better than Kenichiro Akimoto’s more faithful and less Hollywoodized 2026 transposition for Japanese audiences. There’s no denying Studio 4°C is an animation powerhouse, but the timeloop has become the most stale and unimaginative subgenre that’s always in need of
Read MoreWhat happened for the explosive sequel of a middling actioner no one asked for, Sisu, to be this good? Usually, sequels experience diminishing returns, where the director repeats what worked in the first film without offering much beyond an effective formula that audiences enjoyed the first time and will likely enjoy again. However, in Sisu: Road to Revenge, Finnish filmmaker Jalmari Helander refuses to
Read MoreI won’t win many friends with this review, but I genuinely hated almost every second of Predator: Badlands. This is Dan Trachtenberg’s third go-around in the Predator franchise, after revitalizing the series with the (very good) Prey in 2022 and the (nifty, but forgettable) Predator: Killer of Killers earlier this year. With Badlands (not to be confused with the Terrence Malick film
Read MoreGoing into Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle (that title is a mouthful, which is why it will be mostly referred to as “Infinity Castle” from now on), it was immediately apparent that the first part of a planned trilogy of films to wrap up Koyoharu Gotuge’s adaptation of his own manga series would be filled with
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