A scholar of the Cannon Group, French genre auteur Jean-François Richet is no stranger to big, goofy actioners. His last movie, Plane, was mocked for its title but lauded as an effective and downright nasty vehicle that would’ve made a killing if it had been released in the 1980s and starred Chuck Norris instead of Gerard Butler. Richet has now reached
Read MoreAs unnecessary as spinoffs can get, Star Wars: Visions Presents – The Ninth Jedi might present itself as a series devoid of interest. I mean, the spinoff of two short films presented in the first and third seasons of Star Wars’ anime compendium Visions seems like one hell of a stretch to do an entire eight-episode series over. That said, The Ninth
Read MoreThe first forty-five minutes or so of Jacob Chase’s Insidious: Out of the Further are excellent. In that section, there are two incredible setpieces that genuinely had me on the edge of my seat. One is a Backrooms-inspired liminal horror that sees its protagonist, Gemma (Amelia Eve), trapped in a never-ending, claustrophobic hallway with creepy-looking creatures that do little more than
Read MoreRom-coms on the big screen are back! And by that, we mean films that star two of the most alluring and infectiously charming actors working today but are devoid of romance, comedy, and, most importantly, interest. Oh, and they’re also strangely reactionary and definitely feel like a byproduct of the Trump 2.0 era than what the masses would call “proper escapism.”
Read MoreWe can thank Destin Daniel Cretton as one of the architects of the MCU’s current and much needed reinvigoration, with the introspective Wonder Man being a major highlight of their post-Avengers: Endgame projects. And now there’s Spider-Man: Brand New Day. The fourth entry in the current Spider-Man franchise finally gives Tom Holland textured material to explore with his character, away from
Read MoreDuring the opening ceremony of the Fantasia International Film Festival, Her Private Hell director Nicolas Winding Refn was awarded a Cheval Noir Career Achievement Award for his contributions to cinema. He made an impassioned plea on the importance of a festival like Fantasia and genre cinema as a whole: “In the mid-90s, when I began, we really couldn’t make genre movies;
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