It would be futile for me to give you a succinct plot summary of Boots Riley’s I Love Boosters. The movie is the rapper-turned-filmmaker’s sophomore effort in the world of cinema following Sorry to Bother You and, most recently, a digression inside the world of television with the limited series I’m a Virgo. It would also be futile for me to
Read MoreFour years after the release of Beast, it might be logical for Icelandic genre filmmaker Baltasar Kormákur to eventually direct a film with the title Apex in it. That said, no apex predators are found in this two-hander survival thriller between a hunter and the hunted. Such a simple premise as the one found in Kormákur’s latest should exalt tangible thrills,
Read MoreIf you were disappointed by The Super Mario Galaxy Movie, look no further than Exit 8, a video game adaptation that actively respects fans of the original source material. Writer/director Genki Kawamura develops a visual language that’s very much in line with the atmospheric experience of playing Kotake Create’s mind-bending walking simulator. In fact, Kawamura is more concerned with the atmospheric
Read MoreIt is extremely difficult to talk about Kristoffer Borgli’s latest movie, The Drama, without mentioning the big twist that looms large regarding Charlie (Robert Pattinson) and Emma’s (Zendaya) union. What starts as a carefree, dynamic romantic comedy morphs into something else entirely… fifteen minutes after an opening montage that distills a picture-perfect marriage proposal between Charlie and Emma. The former is
Read MoreThose who expected another Raw or Titane may be disappointed while watching Julia Ducournau’s latest movie, Alpha. This film takes a more subdued approach than the character-centric insanity pieces that immediately propelled the French filmmaker to critical acclaim. With only three features under her belt, Ducournau has already established herself as one of the most compelling genre artists working today. Especially
Read MoreFor a long time, I’ve asked myself the following question: Have I aged out of Pixar, or has Pixar lost its magic? With Daniel Chong’s Hoppers, we finally have an answer to this question. It was the latter. In a post-Incredibles 2 era, only Turning Red felt like the masterpieces the animation studio consistently released and pushed the medium forward in
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