Wild Horse Nine is another Martin McDonagh movie that finds remorse in the scummiest of scumbags. In In Bruges, McDonagh made two unlikely hitmen hilarious and somehow empathetic, mostly through the performances of Colin Farrell and Brendan Gleeson. His new film, Wild Horse Nine, does something similar. The film follows two men in a tedious profession and the friendship they have
Read MoreWithin the first second of Josef Kubota Wladyka’s Ha-Chan, Shake Your Booty!, the American filmmaker of Polish and Japanese descent immediately grabs our attention with large (and maximalist) title cards that announce a boisterous theatrical event. Divided into six chapters (plus an epilogue), Wladyka follows a Japanese dancer named Haru (Rinko Kikuchi), who competes in ballroom competitions with her boyfriend Luis (Alejandro Edda). A story
Read MoreThe Weight is an ideal version of a “meat-and-potatoes flick” with both strongly developed character depth and absolutely visceral sequences properly spaced out within its runtime. But director Padraic McKinley plays at his clear inspirations of other films with a similar riveting grit and setup while making the most of its historical backdrop. This film is the vehicle for another great lead
Read MoreAfter Marvel Studios fumbled the production of Bassam Tariq’s vision for Blade with Mahershala Ali, the director and actor both left the long-gestating MCU project to do Your Mother Your Mother Your Mother. The action movie then used Ali’s training for Eric Brooks to instead put him in a tormented character study about a single Muslim father trying to do right
Read MorePrime Video’s Neagley series is the first spinoff of Reacher. This show has the opportunity to explore a character who has always existed close to Reacher while remaining quite different from him. Frances Neagley (Maria Sten) was initially introduced as a supporting character in the Alan Ritchson-led Reacher series, but she never really felt like one. Instead, the show made her
Read MoreAt Fantastic Fest 2026, the amazing people at Alamo Drafthouse on South Lamar have curated a lineup full of titles with great potential. We’re anticipating so many films that it was difficult to fit everything that deserves to be on my list. Last year at the film festival was incredible to experience with films like Bugonia, Primate, and so much more,
Read MoreThe metaphor is heard loud and clear in Cristian Mungiu’s Fjord, this year’s Palme d’Or-winning picture, as the evangelical, conservative Gheorghiu family moves into a highly progressive (and liberal) neighborhood in Norway. If you didn’t click it because you didn’t meet Mungiu’s latest at its terms, it’s an apt parallel for the return of conservatism, which has become more prominent around
Read MoreAfter an incredible feature directorial debut with The Inspection, Elegance Bratton returns with a more politically charged drama by recounting the unlikely alliance between the FBI and the mob in By Any Means. While this partnership has never been officially confirmed by the bureau, historical records indicate that the agency hired notorious mob enforcer Gregory Scarpa Sr. (Mark Wahlberg) to perform
Read MoreThe Samurai and the Prisoner shares a unique commonality with Rian Johnson‘s recent work. Like Knives Out, it shares themes with the overall story. The film directed by Kiyoshi Kurosawa (Cure, Pulse) sees the prolific filmmaker lean into the charm of a detective mystery like an Agatha Christie novel, only here it’s through the lens of a period war drama set
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