Author: Joshua Mbonu

Movie ReviewsReviews

‘The Bride!’ Is A Bizarre, Messy Swing You Can’t Look Away From

When the credits roll on Maggie Gyllenhaal’s The Bride! it’s impossible to think that anyone would come away from it having no strong feelings, to say the least. The film acts as a complete revamping of the 1935 classic Bride of Frankenstein, which changes everything about it from the settings to the central framing of its story. Gyllenhaal follows up her

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Movie ReviewsReviews

‘Good Luck, Have Fun, Don’t Die’: A Messy, Zany, A.I. Apocalypse Satire

After a decade since his last feature, Gore Verbinski has finally returned to helm a picture, this time with a wacky AI satire, Good Luck, Have Fun, Don’t Die. Verbinski’s features have never strayed away from blending the bleak subject matter with comedy (even within films for younger audiences like Rango and Mouse Hunt). He’s at his loudest here, essentially holding

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Movie ReviewsReviews

’28 Years Later: The Bone Temple’ Is A Quieter, Gnarlier Second Chapter

Continuing the story of its predecessor’s release from only a couple of months ago, 28 Years Later: The Bone Temple marks the most fascinating point in the franchise’s history creatively. 2025’s 28 Years Later represented a refreshing shift from the rut of the modern legacy sequel, offering one of the most thematically rich studio films in recent times, with cinematography that

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ReviewsTV/Streaming Series & Specials Reviews

‘The Wonderfully Weird World of Gumball’ Season 2 Review

After the revival’s premiere on Hulu back in July, The Wonderfully Weird World of Gumball has returned for its second season in the midst of the holiday season. This latest batch of another 20 episodes has the common Gumball shenanigans we’ve come to know and love through its mixed media animation and wacky characters and in this overview of the season

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Movie ReviewsReviews

‘Wicked: For Good’ is a Scattershot, Bloated, and Aimless Stumble

Following the smash hit Wicked on the Broadway stage back in 2003, it was only inevitable that a film adaptation would eventually follow suit with last year’s Wicked and this year’s Wicked: For Good. For Good marks an interesting crossroad of sorts in the story as it adapts act two and onwards of the show, which has been infamously cited as a

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Movie ReviewsReviews

‘Now You See Me: Now You Don’t’ Doesn’t Conjure Up Much Magic

As J. Daniel Atlas states in this film, “In the world of magic, everything that disappears reappears.” The same rings true for the franchise itself, as Now You See Me: Now You Don’t marks the return of the film series after nearly 10 years. The mix of absolute absurdity within the confines of what a magic trick can truly be compared

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Movie ReviewsReviews

‘Springsteen: Deliver Me from Nowhere’ Biopic Tries but Fails to Overcome Clichéd Trappings

Music biopics are in a bit of a rut when it comes to innovation lately. While there’s always the occasional film like Better Man that finds creativity within standard templates, many biopics are picked apart with critiques of their clichéd nature and inability to show us anything truly fascinating about the musicians they’re focused on. Unfortunately, Springsteen: Deliver Me from Nowhere

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Movie ReviewsReviews

‘Roofman’: An Absolute Charmer That’s an Enduring Portrait of A True Story

There comes a point in Derek Cianfrance’s Roofman where the thought of “What if I made different choices?” comes into our main character’s head, and this is essentially the main conceit of the film. A true story revolving around seeing the humanity of a man who did some terrible things but also has more to him than meets the eye. Cianfrance

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Movie ReviewsReviewsStellar Picks

‘One Battle After Another Review’: A Blistering and Timely American Saga

There comes a time within every couple of years of film where you get something so special, so relevant to our current moment, and so successful on virtually every front that it’s hard to believe it exists. A film where you know as soon as the credits roll, it will live on as a timeless classic, and just like with his

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