Carolina Caroline is a good example of the type of film that knows the influences it’s built on and uses them to full advantage. Crime thrillers, both old and new, in one way or another, have deep roots in 1967’s Bonnie and Clyde, which revolutionized how we view the intertwining of sharply impactful thrills and biting commentary in American cinema. In
Read MoreEvery now and again, there comes a film that might not break any barriers but surprises you with how much more it has to offer. The Sheep Detectives is the definition of a film that, at first glance many will dismiss as generic kiddie fare with an absurd premise, but The Sheep Detectives provides the heart and clever wit that more
Read MoreMother Mary is the latest of director David Lowery’s line of metaphorical surrealist experimentation within his filmography. Lowery’s previous films, such as The Green Knight and A Ghost Story, tapped into a far more fantasy-oriented surrealism than what’s explored within Mother Mary, but it makes for his most fascinating delve into this euphoric filmmaking style yet. Mother Mary plays with the
Read MoreAt one point or another, most genre fans are always willing to get down with a good shark movie. The shark movie has virtually formed into a whole subgenre of its own, with many films playing within its confines of providing either sharp B-movie thrills or cheesy campiness that rolls with the absurdity. Thrash is the latest shark movie to attempt
Read MoreOut of all the films to get a potential sequel, Ready or Not certainly isn’t the first that most would think of, mainly because that film left its ending pretty clear cut with not a ton of directions to go down. But directors Matt Bettinelli-Olpin and Tyler Gillett (known together as Radio Silence) seem well aware of falling into the dreaded
Read MoreWhen the credits roll on Maggie Gyllenhaal’s The Bride! it’s impossible to think that anyone would come away from it having no strong feelings, to say the least. The film acts as a complete revamping of the 1935 classic Bride of Frankenstein, which changes everything about it from the settings to the central framing of its story. Gyllenhaal follows up her
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