Movie Reviews

Cosmic Circus has been covering movies and TV/streaming series for over five years now. Please take some time to read through some of our movie reviews below to find out what the writers think of past and new films.

Refer to the Stellar Picks archive to find some of our top-rated movies, shows, books, games, and more!


 

Movie ReviewsReviews

‘Moana’ (2026) Review: A Dull and Unimpressive Remake

Watching Thomas Kail’s Moana, I felt a sense of finitude, which is something I don’t really feel while watching movies. But there was something about this dreadful shot-for-shot retread of Ron Clements and John Musker’s 2016 animated masterpiece that felt oddly melancholic. What was it, you ask? I finally realized that the era when Disney lazily releases live-action rehashes of animated

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Movie ReviewsReviews

‘Evil Dead Burn’ Review: Violent, Visceral, and Shockingly Humorous Horror

Evil Dead Burn continues the franchise’s merry tradition of brutally assaulting its audience with flinch-inducing horror. The movie makes good on that promise as the film opens with a victim being barbed by a swarm of fishing hooks as a deadite reels in her prey by the face. With almost half a dozen movies in this franchise, filmmaker Sébastien Vaniček and

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Movie ReviewsReviews

‘The Invite’ Review: A Rare Remake that Surpasses the Original

It’s rare to find a remake of an international film that’s better than its original text, but this is what Olivia Wilde does with The Invite. The film adapts Cesc Gay’s The People Upstairs for an American audience, which was also remade in Italy, Switzerland, France, and South Korea. Wilde, along with screenwriters Will McCormack and Rashida Jones, elevates the original film’s

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‘Supergirl: Woman of Tomorrow’ Comic and Film Discussion

Vic and Vin are back for another Cosmic Circus Comics podcast to discuss the new DC Studios film focused on Supergirl as compared to the comic Supergirl: Woman of Tomorrow. They also deliberate how the film impacts the upcoming Superman sequel Man of Tomorrow and the future of James Gunn’s DC Universe. Supergirl (2026) was directed by Craig Gillespie, written by

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Movie ReviewsReviews

‘Supergirl’ Review: Soaring on Milly Alcock’s Charisma

Supergirl is a movie with a preset of internet haters ready to cast vitriol against the film regardless of the outcome. For most of those naysayers, they probably don’t know why they are eager to cast a dark cloud on the property, except for a “girl in hero costume bad” mentality. The anger towards this specific movie is even more questionable

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Reviews of ‘Obsession,’ ‘The Furious,’ and Giallo Horror Cinema | Cosmic Circus Reviews

John and Vin are back talking about the films Obsession and The Furious, both of which John was able to see at the Dallas International Film Festival earlier this year. Vin also chats about films he saw at the Timeless Film Festival Warsaw. Lastly, they talk briefly about revisiting the Back to the Future films after a movie marathon. The Timeless

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‘Toy Story 5’ Review: The Animated Movie of Our Times

I know, another Toy Story sequel?  Are they ever going to stop making these? This is a valid question, given how many agree that Toy Story 3 ended the franchise perfectly and offered thoughtful conclusions for the toys many of us grew up repeatedly watching on VHS until the tape wore out. Toy Story 4, while enjoyable, existed only to print money, and many

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Movie ReviewsReviews

‘The Death of Robin Hood’ Review: Poetic and Painfully Bleak

The Death of Robin Hood is a difficult pill to swallow. For most of us, the idea of Robin Hood evokes spectacle and adventure. He is the archery equivalent of King Arthur, supplying action, adventure, and a sense of nobleism. With a filmmaker like Michael Sarnoski, the director of Pig, one of the most sincere films about empathy, one might expect

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Movie ReviewsReviews

‘Leviticus’ Review: As Tender as it is Haunting

Leviticus resides in a fascinating place when viewing it from its genre roots. It’s able to weave both a compelling queer story and progressively brutal horror while changing enough elements to remain just distinctive enough from its inspirations. You’ll hear many comparisons to genre flicks like It Follows and Smile, but director Adrian Chiarella clearly understands that within his feature debut.

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