Movie Reviews

Cosmic Circus has been covering movies and TV/streaming series for over five years now. Please take some time to read through some of our movie reviews below to find out what the writers think of past and new films.

Refer to the Stellar Picks archive to find some of our top-rated movies, shows, books, games, and more!


 

Film FestivalsMovie ReviewsReviews

‘You Are The Film’ Review | Fantasia Fest 2026

Fantasia International Film Festival 2026 brought a familiar talent to the festival. You Are The Film sees playwright Makoto Ueda bring another playful sci-fi concept, only this time he takes a unique spin on the multiverse craze. Ueda, who previously scripted minimalist pieces in the genre such as Beyond the Infinite Two Minutes, River, and Rewrite, moves away from the theme of

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‘Avatar Aang: The Last Airbender’ Review: Continuing A Legacy of Animation Excellence

Nearly two decades after the original show concluded, Avatar: The Last Airbender influence can still be felt across comic books, so far two animated spin-offs, fan-fic storytelling, games, and television as a whole. From the beginning, it wasn’t simply the beautifully written world or the stunning element bending that gathered audiences in front of the TV. It was the emotionally mature

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‘Pinocchio: Unstrung’ Review: Robert Englund Elevates the Poohniverse’s Best Story Yet

Since the launch of the Twisted Childhood Universe with Winnie-the-Pooh: Blood and Honey in 2023, the franchise has become synonymous with one thing: taking beloved childhood characters and transforming them into blood-soaked slasher villains with absurd storylines. It’s a fun premise that’s celebrated by hardcore gore hounds but carries little weight in the realm of truly respected filmmaking. That just might

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‘Her Private Hell’ is Boring As Hell | Fantasia Fest 2026 Movie Review:

During the opening ceremony of the Fantasia International Film Festival, Her Private Hell director Nicolas Winding Refn was awarded a Cheval Noir Career Achievement Award for his contributions to cinema. He made an impassioned plea on the importance of a festival like Fantasia and genre cinema as a whole: “In the mid-90s, when I began, we really couldn’t make genre movies;

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‘The Odyssey’ Review: A Pure Visionary Achievement

The Odyssey is a fascinating follow-up to Christopher Nolan’s Oppenheimer. In fact, it might be the film I was hoping Oppenheimer might become. A movie about a man conflicted by his responsibilities in changing the world through destruction, but the key difference is that Nolan places Odysseus face-to-face with his sin, while Oppenheimer lost its way. Here, Odysseus is confronted with the

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‘Enola Holmes 3’ Review: A Major Disappointment

Why so gloomy, Enola? Why so drab? Why so dull? These are questions I asked myself while watching Philip Barantini’s Enola Holmes 3, a sequel that made sense, considering how great Harry Bradbeer’s 2022 second entry to one of Netflix’s most popular films was. Millie Bobby Brown was born to play the titular character at the center of Nancy Springer’s book series of the

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‘Moana’ (2026) Review: A Dull and Unimpressive Remake

Watching Thomas Kail’s Moana, I felt a sense of finitude, which is something I don’t really feel while watching movies. But there was something about this dreadful shot-for-shot retread of Ron Clements and John Musker’s 2016 animated masterpiece that felt oddly melancholic. What was it, you ask? I finally realized that the era when Disney lazily releases live-action rehashes of animated

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‘Evil Dead Burn’ Review: Violent, Visceral, and Shockingly Humorous Horror

Evil Dead Burn continues the franchise’s merry tradition of brutally assaulting its audience with flinch-inducing horror. The movie makes good on that promise as the film opens with a victim being barbed by a swarm of fishing hooks as a deadite reels in her prey by the face. With almost half a dozen movies in this franchise, filmmaker Sébastien Vaniček and

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‘The Invite’ Review: A Rare Remake that Surpasses the Original

It’s rare to find a remake of an international film that’s better than its original text, but this is what Olivia Wilde does with The Invite. The film adapts Cesc Gay’s The People Upstairs for an American audience, which was also remade in Italy, Switzerland, France, and South Korea. Wilde, along with screenwriters Will McCormack and Rashida Jones, elevates the original film’s

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