Weapons accomplishes an agenda that used to be a hallmark for filmmakers like JJ Abrams. The goal is to surround the narrative with a mystery box format. The intention is to influence the audience to rush to the movie to uncover all the secrets hidden within. The key difference is that filmmaker Zach Cregger clearly understands the assignment better than JJ
Read MoreOur Fantasia Film Festival 2025 coverage continues with two unique films that explore themes of isolation. The first is a haunting film about the struggles of assimilation faced by a child of migrants in a white suburban school. The other film centers on a 10 Cloverfield Lane-inspired narrative about a woman trapped inside a moving camper. Foreigner and Hellcat may differ
Read MoreAs has been the case for its previous horror movies, NEON has raked up interesting marketing campaigns for some of their more terrifying titles, such as Osgood Perkins’ Longlegs, The Monkey, and Tilman Singer’s Cuckoo. The studio wants as many people as possible watching in cinemas knowing as little as possible about the movie itself. That’s why you’ll see many ads
Read MoreOur Fantasia Film Festival coverage continues with two films that offer distinctive horror experiences in housing communities. The first is a horror-comedy called Hold the Fort, about an HOA fighting forces of evil in slapstick fashion. The second movie is called Noise, involving a woman with hearing loss attempting to find her missing sister, who disappeared after hearing supernatural noises above
Read MoreEveryone has secrets that they’ll take to their graves, right? Those bits of information that are too delicate to ever utter out loud in the world. Events that perhaps bind us through trauma, never to be mentioned again. Things we’d do just about anything to forget, even though they’ll haunt us for the rest of our lives. Those living in South
Read MoreThe time has come for another Fantasia International Film Festival. The Canadian-based festival, which focuses on fantastical genre works, has been the home of numerous great titles over the years. For example, last year saw the premieres of high-profile offerings such as the Neon film Cuckoo and Chris Stuckmann’s debut feature film Shelby Oaks. Fantasia Fest has also welcomed up-and-comers such
Read MoreM3GAN 2.0 revives the sassy Gen Z version of Chucky in a T2-inspired narrative. The first film had the Blumhouse robot terrorize a family; this time, she is a protector. The only core difference is that M3GAN 2.0 takes itself far less seriously than a James Cameron movie. The sequel, for the most part, is a reprogramming of the formula aimed
Read More28 Years Later is the strangest sequel in years. The original was gritty, dark, and had a low-quality aesthetic that added to the horror. The long-awaited sequel is far from conventional and takes numerous artistic swings. The world is lighter, the vision is more humorous, and there is a strange, heartwarming nature to the world. 28 Years Later has more in
Read MoreArnold Schwarzenegger, at the height of his action star persona, went toe-to-toe with an advanced, trophy-hunting alien species and won. As Dutch in John McTiernan’s Predator, Schwarzenegger embodied the muscled-up masculinity of 80s action cinema. For decades, the franchise existed as an exercise in machismo, featuring strong-minded, big-biceped men in combat against the physically superior species of hunter. That all shifted
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