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Fantastic Fest 2025: ‘Shelby Oaks’ is a Worthy Misfire

Our Fantastic Fest 2025 coverage continues with Shelby Oaks. When it comes to the topic of film criticism, it’s hard to identify anyone who has made more of an influence on my career than Chris Stuckmann. He remains one of the rare YouTube movie critics who can articulate constructive feedback with class and sincerity for the art form. Being put in the

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Fantastic Fest 2025: 7 Highly Anticipated Films to Watch

Fantastic Fest 2025 kicks off today in Austin, Texas, with another year of potentially great offerings. The festival is jam-packed with several great titles and early premieres. For example, the highly anticipated sequel to Scott Derrickson’s The Black Phone is expected to captivate the Austin community during the first weekend. The festival will also feature Chris Stuckmann’s long-awaited movie debut, Shelby

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Fantasia Fest 2025 Review: ‘Together’ Provokes Without Much Substance

As has been the case for its previous horror movies, NEON has raked up interesting marketing campaigns for some of their more terrifying titles, such as Osgood Perkins’ Longlegs, The Monkey, and Tilman Singer’s Cuckoo. The studio wants as many people as possible watching in cinemas knowing as little as possible about the movie itself. That’s why you’ll see many ads

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‘The Life of Chuck’ is a Cinematic Antidepressant

The Life of Chuck sees Mike Flanagan take a step outside the box of horror films. The writer and director already has a massive winning streak, having created fantastic works such as The Haunting of Hill House, Midnight Mass, Gerald’s Game, and Doctor Sleep. Now, the filmmaker takes on a much more sentimental story from Stephen King—and it’s an astonishing piece

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Osgood Perkins’ ‘The Monkey’ is Neither Funny Nor Thrilling

After the incredible commercial success of Longlegs, bolstered by a clever marketing campaign, many audience members eagerly anticipated seeing what Osgood Perkins would come up with next. It turns out they didn’t have to wait very long, as his latest feature, The Monkey, was already in the can when Longlegs bowed out in cinemas. Adapted from the short story of the

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Fantastic Fest 2024 Movie Reviews: ‘Anora’ and ‘Saturday Night’

Fantastic Fest 2024 is well underway and I had a chance to catch two more films screening there, Sean Baker’s Anora and Saturday Night, based on the beginnings of Saturday Night Live. Check out what I thought below! Anora: A slice of life film with a powerful message The Florida project is one of the best slice-of-life pictures in a long

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Review: ‘Longlegs’ is the Silliest Horror Film of the Year

It will be very hard to talk about Osgood Perkins‘ latest film, Longlegs, without revealing a single element from its story and characters. From my understanding (I don’t watch trailers when they drop online, only when they appear in front of movies I see in cinemas), the marketing has shrouded its story and Nicolas Cage‘s role in secrecy. It even censored

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Pablo Berger’s Oscar-Nominated Animated Feature ‘Robot Dreams’ Finally Releases

I don’t know what happened for NEON to campaign hard for Robot Dreams’ Oscar prospects, only for them not to release it wide until the beginning of June. The movie was eventually nominated for the Academy Award for Best Animated Feature (ultimately losing to Hayao Miyazaki’s The Boy and the Heron), but without the opportunity for the public to actively see

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Ava DuVernay’s ‘Origin’ is a Masterclass in Grief and Purpose

In a world that is inundated with film and television, some names in Hollywood stand out. From the moment you see their name attached to the project, you know exactly what you’re going to get. Ava DuVernay is one of those names. Her directorial debut might have been I Will Follow but it was with her work on Middle of Nowhere

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