Red Rooms is a festival favorite film from writer-director Pascal Plante. The movie is already streaming in its home country of Canada, and will release theatrically in the United States starting in September. The French-language film stars Juliette Gariépy as Kelly-Anne and Laurie Babin as Clementine. It’s best to go into Red Rooms with as little information as possible. The basic
Read MoreA directorial debut is a statement of intent. Especially when an actor makes the jump from in front to behind the camera, all eyes are on them to see, more or less, what they’re all about. By the time the title of her first film was announced, it was clear that Zoë Kravitz‘s transition would be a bold one. Although that
Read MoreWith the Fantasia International Festival well underway, there are plenty of movies to still enjoy and appreciate in the Hall and J.A. de Sève auditoriums at Concordia University. A movie that sounded interesting on paper to me was Hiroshi Shoji’s Tatsumi, a mob drama that centers on its titular character (Yuya Endo) seeking revenge on the people who murdered his ex-girlfriend,
Read MoreIt will be very hard to talk about Osgood Perkins‘ latest film, Longlegs, without revealing a single element from its story and characters. From my understanding (I don’t watch trailers when they drop online, only when they appear in front of movies I see in cinemas), the marketing has shrouded its story and Nicolas Cage‘s role in secrecy. It even censored
Read MoreM. Night Shyamalan is one of the most contentious filmmakers of our time. Once a bonafide hit-maker with thrillers such as The Sixth Sense and Signs, his stock lowered when audiences failed to connect with his films Lady in the Water and The Happening, before The Last Airbender and After Earth placed him in proverbial “director’s jail”. Nonetheless, he bounced back
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