Movie Reviews

Cosmic Circus has been covering movies and TV/streaming series for over five years now. Please take some time to read through some of our movie reviews below to find out what the writers think of past and new films.

Refer to the Stellar Picks archive to find some of our top-rated movies, shows, books, games, and more!


 

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‘Primetime’ Review: A Stylish Descent Into Network TV | Fantastic Fest 2026

Primetime is the type of film that could easily have been a disaster. It’s a very difficult task to put the audience against someone who is catching child predators. Especially since Chris Hansen has done work beyond the network juggernaut To Catch a Predator to help reduce child trafficking at home and abroad. However, since the documentary Predators, there has been

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‘Wild Horse Nine’ Has Chemistry and Heart | Fantastic Fest 2026

Wild Horse Nine is another Martin McDonagh movie that finds remorse in the scummiest of scumbags. In In Bruges, McDonagh made two unlikely hitmen hilarious and somehow empathetic, mostly through the performances of Colin Farrell and Brendan Gleeson. His new film, Wild Horse Nine, does something similar. The film follows two men in a tedious profession and the friendship they have

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‘Ha-Chan, Shake Your Booty!’ Elevated by Rinko Kikuchi’s Performance | TIFF 2026 Review

Within the first second of Josef Kubota Wladyka’s Ha-Chan, Shake Your Booty!, the American filmmaker of Polish and Japanese descent immediately grabs our attention with large (and maximalist) title cards that announce a boisterous theatrical event. Divided into six chapters (plus an epilogue), Wladyka follows a Japanese dancer named Haru (Rinko Kikuchi), who competes in ballroom competitions with her boyfriend Luis (Alejandro Edda). A story

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‘Beware Boiúna’ Review: Great Creature Feature, Almost | Fantastic Fest 2026

Beware Boiúna might be a creature feature, but it is very much a slasher film. Like films such as Friday the 13th or goofy slashers like some of the Nightmare on Elm Street sequels, we know right away who will live or die the minute they start speaking. The difference is the person holding the knife is a snake, and her

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‘Shaun the Sheep: The Beast of Mossy Bottom’ Review: Aardman Returns for More Light-Hearted Spooky Fun

If you weren’t satiated with Wallace and Gromit: The Curse of the Were-Rabbit (a masterpiece), Aardman has got the big-screen cure for you with Shaun the Sheep: The Beast of Mossy Bottom. This lighthearted, enjoyable family fare is highly stimulating for young viewers and smart enough for grown-ups. It’s the kind of sophisticated entertainment only a stop-motion-driven animated studio can pull off

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‘The Weight’ Review: Rock Solid and Thrilling Period Drama

The Weight is an ideal version of a “meat-and-potatoes flick” with both strongly developed character depth and absolutely visceral sequences properly spaced out within its runtime. But director Padraic McKinley plays at his clear inspirations of other films with a similar riveting grit and setup while making the most of its historical backdrop. This film is the vehicle for another great lead

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‘Resident Evil’ Review: A Masterful Adaptation | Fantastic Fest 2026

Resident Evil does not follow the video game’s exact plot. This has been a frequent complaint online. While that’s true, none of Paul W. S. Anderson’s movies followed the exact plotline. For the most part, almost none of the movies follow the story, and the only one that came close flopped two years ago. So what is a filmmaker to do? Zach

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‘Your Mother Your Mother Your Mother’ is an Absolute Masterpiece | TIFF 2026 Film Review

After Marvel Studios fumbled the production of Bassam Tariq’s vision for Blade with Mahershala Ali, the director and actor both left the long-gestating MCU project to do Your Mother Your Mother Your Mother. The action movie then used Ali’s training for Eric Brooks to instead put him in a tormented character study about a single Muslim father trying to do right

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‘The Last House’ Review: Netflix’s Locked In Film Should Be A Last Resort

French producer and director Louis Leterrier and screenwriter Matthew Robinson’s The Last House is flawed in its storytelling. The problems don’t just lie in setting a narrative in Seattle, Washington, but in believing that its populace feels alone. I remember visiting the area in late July and seeing how a beautiful community can coexist. That is, until the shooting in Seattle

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