Fantasia International Film Festival 2026 kicks off this week, and we are back once again to cover the biggest movies from the lineup. Last year brought many great titles, such as Rewrite, Foreigner, and more. The event also featured Sundance darlings like Undertone and Lurker. This year is another stacked lineup with films like Her Private Hell, Corpus, and more Sundance
Read MoreThe Odyssey is a fascinating follow-up to Christopher Nolan’s Oppenheimer. In fact, it might be the film I was hoping Oppenheimer might become. A movie about a man conflicted by his responsibilities in changing the world through destruction, but the key difference is that Nolan places Odysseus face-to-face with his sin, while Oppenheimer lost its way. Here, Odysseus is confronted with the
Read MoreEvil Dead Burn continues the franchise’s merry tradition of brutally assaulting its audience with flinch-inducing horror. The movie makes good on that promise as the film opens with a victim being barbed by a swarm of fishing hooks as a deadite reels in her prey by the face. With almost half a dozen movies in this franchise, filmmaker Sébastien Vaniček and
Read MoreSupergirl is a movie with a preset of internet haters ready to cast vitriol against the film regardless of the outcome. For most of those naysayers, they probably don’t know why they are eager to cast a dark cloud on the property, except for a “girl in hero costume bad” mentality. The anger towards this specific movie is even more questionable
Read MoreThe Death of Robin Hood is a difficult pill to swallow. For most of us, the idea of Robin Hood evokes spectacle and adventure. He is the archery equivalent of King Arthur, supplying action, adventure, and a sense of nobleism. With a filmmaker like Michael Sarnoski, the director of Pig, one of the most sincere films about empathy, one might expect
Read MoreBack in the early 2000s, Roger Ebert dubbed Minority Report a “triumph” during a time, as he called it, “when movies think they have to choose between action and ideas.” And this was during a creative era for Spielberg, when the iconic director felt emboldened to explore new territory. UFOs may not be fresh material for the E.T. filmmaker, but Disclosure Day feels very
Read MoreMasters of the Universe is an adaptation that could only be made in 2026. In a different Hollywood system, the movie would be ripe for marketing towards the “meathead” action-based market. The first attempt with Dolph Lundgren, for example, was clearly a product of the old thinking. That somehow, macho, masculine behavior, and fantasy are box office-winning formulas. Filmmaker Travis Knight’s
Read MoreBackrooms is about to have a massive opening weekend. The YouTube short by Kane Parsons has a successful following. One might say his take on the creepypasta has the same demo as the Five Nights at Freddy’s crowd. There’s no other way to say it. I’m not sure how audiences will receive this film. For a movie popular with today’s youth,
Read MoreMortal Kombat II has everything a movie based on the video game should have. There are extended fight scenes with excessive gore, faithful character portrayals, and visual recreations of various game levels. Yet, for a movie that hasn’t even been released in theaters, it feels as dated as a Sega Genesis console. The sequel introduces new ideas. One of them is bringing
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