Good Fortune sees Aziz Ansari return to storytelling since Master of None. Similar to that series, Ansari brings a rich commentary to his latest film. Master of None made Ansari an award winner with the segment “Parents,” which spoke about the immigrant experience and the entitlement of second-generation children. With Good Fortune, he scripts a wild blend of Heaven Can Wait
Read MoreBallad of a Small Player is a fascinating follow-up to Edward Berger’s Conclave. Most of Conclave’s tone was overly serious and at times felt like a detective procedural wearing a pope’s uniform. Ballad of a Small Player is a complete gear shift in terms of style and feel. The film oftentimes has an enthralling, fast-paced energy that keeps the viewer hooked
Read MoreTron: Ares inspires perplexing feelings. Everything about the movie should work, and sometimes it really tries to dazzle the viewer. Yet, the entire experience feels like a Walmart putting out Christmas items and music in October. The music is undeniable, and the visuals are pretty, but the Wally World employees make some clear, baffling decisions. The new sequel aims to push
Read MoreGood Boy is not your typical horror movie. One might even say it isn’t meant to scare the audience. The purpose behind this innovative film is to depict the fear of things we don’t understand. When something terrible happens, it’s frightening for the average person who understands what is happening. But it’s even more terrifying for someone like a child, who
Read MoreWe continue our Fantastic Fest 2025 coverage with the latest movie from Yorgos Lanthimos. The filmmaker behind provocative and quirky stories, such as Poor Things and The Favourite, brings a wildly bizarre, dialogue-heavy film called Bugonia. The film made a surprise appearance as one of the secret screenings at the festival. For many attendees, it was a delightful surprise. Bugonia continues
Read MoreOur Fantastic Fest 2025 coverage continues with an unexpected gem. The movie If I Had Legs, I’d Kick You made its Texas premiere at the intimate Alamo Drafthouse venue in Austin, TX. The film grapples with an uncomfortable discussion about caregiving. And while there are many forms of care, this movie targets the stresses of being a single mother or a
Read MoreLast night, we attended the first screening of Black Phone 2 at Fantastic Fest 2025. The sequel sparked considerable interest with its Nightmare on Elm Street-inspired advertising. Showcasing a follow-up that would maneuver the marquee villain of the franchise into a dream-lurking killer in the vein of Freddy Krueger. And given the long, extensive absence of that franchise, using Black Phone
Read MoreOur Fantastic Fest 2025 coverage continues with Shelby Oaks. When it comes to the topic of film criticism, it’s hard to identify anyone who has made more of an influence on my career than Chris Stuckmann. He remains one of the rare YouTube movie critics who can articulate constructive feedback with class and sincerity for the art form. Being put in the
Read MorePrimate is the latest film from Johannes Roberts, whose last movie was Resident Evil: Welcome to Raccoon City. As the festival kicked off, Fantastic Fest audiences gathered in a theater with various small cameras on tripods pointing toward the crowd. It was clear that Paramount was preparing to record the reactions of the movie-going audience. Right away, there was a strong
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