Movie Reviews

Cosmic Circus has been covering movies and TV/streaming series for over five years now. Please take some time to read through some of our movie reviews below to find out what the writers think of past and new films.

Refer to the Stellar Picks archive to find some of our top-rated movies, shows, books, games, and more!


 

Film FestivalsMovie ReviewsReviews

Sundance Film Festival 2026: ‘The Best Summer’ is Millennial Catnip

Have you ever thought to yourself, “Hey, I wonder if the director of Billy Madison has a bunch of concert footage of ’90s alternative bands lying around?” Who hasn’t thought about that, right? The Best Summer at Sundance Film Festival is a documentary that answers the question. And while nobody may have asked for these materials, one cannot deny that they

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Film FestivalsMovie ReviewsReviews

Sundance Film Festival 2026: ‘Josephine’ is Fearless and Brilliant Storytelling

The movie Josephine at the Sundance Film Festival 2026 takes on one of the most difficult topics of childhood. And it does so through the lens of being a little girl in a scary world. The film confronts two themes in unflinching detail: childhood trauma and bravery. The notion is communicated wonderfully through a simple setup. We see Josephine‘s point of view

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Sundance Film Festival 2026: ‘Levitating’ is Spiritually Thrilling

Levitating is the kind of movie one hopes to see at a film festival. The type of narrative aims for otherworldly heights of creativity and ambition. In the first twenty minutes, the concept is made clear. The locals engage in trance parties, where dancers willingly let music invoke the spirits of animals to possess them as a spirit channeler using an

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Jason Statham Kicks Ass in ‘Shelter’

It appears that Ric Roman Waugh is this year’s Richard Linklater, having released two movies in the span of a month. While the first title of his January compendium, Greenland 2: Migration, unfortunately did not have a theatrical release outside the United States, his latest effort, Shelter, is getting a global rollout, and it might just be the most January movie

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Sundance Film Festival 2026: ‘Take Me Home’ Review

Take Me Home from Sundance Film Festival 2026 offers another perspective on the disability experience, this time from the vantage point of caring for someone with needs. However, the film ponders the caretaking role with an added layer. More specifically, when a guardian for a person with a disability begins to require care themselves. What happens to the family we have

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Sundance Film Festival 2026: ‘Joybubbles’ Movie Review

Joybubbles is quite a sincere opening for our Sundance Film Festival 2026 review coverage. Similar to the documentary The Remarkable Life of Ibelin, this documentary explores the challenges of a man living with a disability as he seeks ways to connect. For Ibelin, it was through the fantastic gaming landscape of World of Warcraft. For Joe Engressia (also known as Joybubbles),

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‘The Wrecking Crew’: Ángel Manuel Soto Delivers 2026’s First Must-See Action Film

It may be easy to dismiss Ángel Manuel Soto’s The Wrecking Crew as a fake-looking piece of “content” that only serves to fill an ever-expanding algorithm on Prime Video. You could be right to think this way, since none of the promotional materials have fully advertised the film’s pleasures the way they should have. The movie was also essentially dumped on

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‘Send Help’ Review: Sam Raimi Does It Again

The great formalist Sam Raimi has done it again with Send Help and continues to prove why he’s one of the best genre artists working today. Of course, it (pun intended) helps that his two leads, Rachel McAdams and Dylan O’Brien, go all in with Raimi’s flashy, kinetic expressions, as the two protagonists fight for survival within the confines of a

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‘All You Need Is Kill’: A Beautifully Animated, but Tired Timeloop Film

It feels strange that Doug Liman’s Edge of Tomorrow, the American adaptation of Hiroshi Sakurazaka’s All You Need Is Kill, is somehow better than Kenichiro Akimoto’s more faithful and less Hollywoodized 2026 transposition for Japanese audiences. There’s no denying Studio 4°C is an animation powerhouse, but the timeloop has become the most stale and unimaginative subgenre that’s always in need of

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