Carolina Caroline is a good example of the type of film that knows the influences it’s built on and uses them to full advantage. Crime thrillers, both old and new, in one way or another, have deep roots in 1967’s Bonnie and Clyde, which revolutionized how we view the intertwining of sharply impactful thrills and biting commentary in American cinema. In
Read MoreJohn Carney can’t necessarily be described as “one-trick pony,” even if he makes virtually the same film over and over again. The Irish filmmaker has carved a niche in music-driven dramedies ever since 2007’s Once. That niche became mainstream following his best film, Sing Street, which is widely regarded as one of 2016’s best. If you think he’s run out of
Read MoreColleen Hoover has been on an upward trajectory in the realm of cinema. With It Ends With Us, Regretting You, and now Reminders of Him, the author turned screenwriter has shown a strong presence in theaters for three years straight. Reminders of Him is the first film adaptation to feature Hoover as a writer adapting her own work, and the film benefits from it,
Read MoreMother Mary is the latest of director David Lowery’s line of metaphorical surrealist experimentation within his filmography. Lowery’s previous films, such as The Green Knight and A Ghost Story, tapped into a far more fantasy-oriented surrealism than what’s explored within Mother Mary, but it makes for his most fascinating delve into this euphoric filmmaking style yet. Mother Mary plays with the
Read MoreIt is extremely difficult to talk about Kristoffer Borgli’s latest movie, The Drama, without mentioning the big twist that looms large regarding Charlie (Robert Pattinson) and Emma’s (Zendaya) union. What starts as a carefree, dynamic romantic comedy morphs into something else entirely… fifteen minutes after an opening montage that distills a picture-perfect marriage proposal between Charlie and Emma. The former is
Read MoreIn February 2025, Amazon gained full creative control of the James Bond franchise. Although audiences are still eagerly awaiting what Dune filmmaker Denis Villeneuve will do with the property in the eagerly awaited next film involving the character, actor Riz Ahmed‘s new Prime Video series Bait takes a different angle. It’s a sort of meta-commentary on the cultural weight of the role of James Bond. Bait sees Ahmed playing a British Pakistani actor
Read MoreThose who expected another Raw or Titane may be disappointed while watching Julia Ducournau’s latest movie, Alpha. This film takes a more subdued approach than the character-centric insanity pieces that immediately propelled the French filmmaker to critical acclaim. With only three features under her belt, Ducournau has already established herself as one of the most compelling genre artists working today. Especially
Read MoreJohn and Vin are back at it again, this time with a discussion about The Bride! starring Jessie Buckley and Christian Bale. The film was directed and written by Maggie Gyllenhaal and based on Frankenstein by Mary Shelley, with cinematography by Lawrence Sher, edited by Dylan Tichenor and music by Hildur Guðnadóttir. Did Vin and John enjoy The Bride! at all?
Read MoreWhen the credits roll on Maggie Gyllenhaal’s The Bride! it’s impossible to think that anyone would come away from it having no strong feelings, to say the least. The film acts as a complete revamping of the 1935 classic Bride of Frankenstein, which changes everything about it from the settings to the central framing of its story. Gyllenhaal follows up her
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