‘Ready or Not 2: Here I Come’ Review: Double The Gore, Double The Lore
Out of all the films to get a potential sequel, Ready or Not certainly isn’t the first that most would
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‘Undertone’ Review: An Audio Masterclass in Psychological Horror
Undertone digs at the unnerving fear of emptiness. Not in the sense of space, but the way noise occupies a
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‘Project Hail Mary’ Review: ‘Interstellar’ Meets Pixar-Style Friendship
Project Hail Mary has a lot of hype surrounding it. The film is led by one of the world’s biggest
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‘The Bride!’ Movie Review with John & Vin | Cosmic Circus Reviews
John and Vin are back at it again, this time with a discussion about The Bride! starring Jessie Buckley and
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‘Hoppers’ Brings Pixar Back to Its Glory Days
For a long time, I’ve asked myself the following question: Have I aged out of Pixar, or has Pixar lost
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Netflix’s ‘War Machine’ is a Strange Genre Blender
I was fully expecting to hate Patrick Hughes’ War Machine while watching it. Another Netflix piece of content that essentially
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‘The Bride!’ Is A Bizarre, Messy Swing You Can’t Look Away From
When the credits roll on Maggie Gyllenhaal’s The Bride! it’s impossible to think that anyone would come away from it
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‘Scream 7’ Review: Paramount Stabs and Misses
Scream 7 was always destined for backlash. The film received criticism when Paramount fired Melissa Barrera for expressing an opinion.
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‘How to Make a Killing’ Clumsily Reinterprets an Ealing Classic
Many might not know that John Patton Ford’s latest film, How to Make a Killing, is loosely based on Robert
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Emerald Fennell’s ‘Wuthering Heights’: An Immersive, Sensual Ghost Story
Emerald Fennell’s Wuthering Heights is a sensory fever dream that feels less like a traditional period piece and more like
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‘Nirvanna the Band the Show the Movie’ is a Cinematic Miracle
Nirvanna the Band the Show the Movie is Matt Johnson’s continuation of the television series of the same name, which follows
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‘Good Luck, Have Fun, Don’t Die’: A Messy, Zany, A.I. Apocalypse Satire
After a decade since his last feature, Gore Verbinski has finally returned to helm a picture, this time with a
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