Movie Reviews

Cosmic Circus has been covering movies and TV/streaming series for over five years now. Please take some time to read through some of our movie reviews below to find out what the writers think of past and new films.

Refer to the Stellar Picks archive to find some of our top-rated movies, shows, books, games, and more!


 

Movie ReviewsReviews

‘Ready or Not 2: Here I Come’ Review: Double The Gore, Double The Lore

Out of all the films to get a potential sequel, Ready or Not certainly isn’t the first that most would think of, mainly because that film left its ending pretty clear cut with not a ton of directions to go down. But directors Matt Bettinelli-Olpin and Tyler Gillett (known together as Radio Silence) seem well aware of falling into the dreaded

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‘Undertone’ Review: An Audio Masterclass in Psychological Horror

Undertone digs at the unnerving fear of emptiness. Not in the sense of space, but the way noise occupies a room. For instance, when some of us need sound to fall asleep or the way we need a television on in the background to get chores done. It’s the anticipated nervousness that if everything becomes silent, something unexpected might fill the

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‘Project Hail Mary’ Review: ‘Interstellar’ Meets Pixar-Style Friendship

Project Hail Mary has a lot of hype surrounding it. The film is led by one of the world’s biggest movie stars, based on a story by a top-tier sci-fi author, and adapted by some of the most talented filmmakers working today. Because of this, it’s easy to overhype the movie’s expectations. Luckily, most of the elements come together better than

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‘The Bride!’ Movie Review with John & Vin | Cosmic Circus Reviews

John and Vin are back at it again, this time with a discussion about The Bride! starring Jessie Buckley and Christian Bale. The film was directed and written by Maggie Gyllenhaal and based on Frankenstein by Mary Shelley, with cinematography by Lawrence Sher, edited by Dylan Tichenor and music by Hildur Guðnadóttir. Did Vin and John enjoy The Bride! at all?

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‘Hoppers’ Brings Pixar Back to Its Glory Days

For a long time, I’ve asked myself the following question: Have I aged out of Pixar, or has Pixar lost its magic? With Daniel Chong’s Hoppers, we finally have an answer to this question. It was the latter. In a post-Incredibles 2 era, only Turning Red felt like the masterpieces the animation studio consistently released and pushed the medium forward in

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Netflix’s ‘War Machine’ is a Strange Genre Blender

I was fully expecting to hate Patrick Hughes’ War Machine while watching it. Another Netflix piece of content that essentially amalgamates known films into one another and tries to pass it off as an “original film”? What could go wrong? For the first twenty minutes or so, a compact montage that distills the backstory of Staff Sergeant 81 (Alan Ritchson) as

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‘The Bride!’ Is A Bizarre, Messy Swing You Can’t Look Away From

When the credits roll on Maggie Gyllenhaal’s The Bride! it’s impossible to think that anyone would come away from it having no strong feelings, to say the least. The film acts as a complete revamping of the 1935 classic Bride of Frankenstein, which changes everything about it from the settings to the central framing of its story. Gyllenhaal follows up her

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‘Scream 7’ Review: Paramount Stabs and Misses

Scream 7 was always destined for backlash. The film received criticism when Paramount fired Melissa Barrera for expressing an opinion. An opinion that, unfortunately, was correct. And for the most part, the new generation of Scream fans were ready to hate this film. A little background. I grew up on Scream and actually saw the original with my older brother in

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‘How to Make a Killing’ Clumsily Reinterprets an Ealing Classic

Many might not know that John Patton Ford’s latest film, How to Make a Killing, is loosely based on Robert Hamer’s 1949 classic Ealing comedy Kind Hearts and Coronets. The 1949 film was adapted from Roy Horniman’s Israel Rank: The Autobiography of a Criminal. If you’ve seen Hamer’s film, chances are you’ve seen Patton Ford’s reinterpretation. It sadly doesn’t do much to

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