Created by comedy mastermind Katie Dippold (Parks and Recreation) with visionary director Hiro Murai (Atlanta), Widow’s Bay is best described as “funny Stephen King.” The show honors 1980s horror with 2020s humor through standout work both in front and behind the camera, and the result is an instant, strong recommendation for almost any audience. Dippold’s comedy writing balances perfectly with Murai’s
Read MoreJohn and Vin are back talking about the films Obsession and The Furious, both of which John was able to see at the Dallas International Film Festival earlier this year. Vin also chats about films he saw at the Timeless Film Festival Warsaw. Lastly, they talk briefly about revisiting the Back to the Future films after a movie marathon. The Timeless
Read MoreLeviticus resides in a fascinating place when viewing it from its genre roots. It’s able to weave both a compelling queer story and progressively brutal horror while changing enough elements to remain just distinctive enough from its inspirations. You’ll hear many comparisons to genre flicks like It Follows and Smile, but director Adrian Chiarella clearly understands that within his feature debut.
Read MoreFor some reason, modern audiences are having nostalgia for the Scary Movie franchise. The once-shepherded-by-the-Wayans-Brothers spoof series that parodied contemporary horror cinema had a cult following in the years after its successful release, but none of them were any good. The only ones that were watchable, Scary Movie 3 and Scary Movie 4, had David Zucker’s involvement, one of the masters of
Read MoreBackrooms is about to have a massive opening weekend. The YouTube short by Kane Parsons has a successful following. One might say his take on the creepypasta has the same demo as the Five Nights at Freddy’s crowd. There’s no other way to say it. I’m not sure how audiences will receive this film. For a movie popular with today’s youth,
Read MoreFollowing her filmmaking on Paramount Pictures’ Rosemary’s Baby prequel, Apartment 7A, with Christian White and Skylar James, writer-director Natalie Erika James returns with a new horror project. Independent Film Company and Shudder’s science fiction supernatural horror drama film, Saccharine, follows a young woman in medical school. She becomes terrorized by an apparition after experimenting with an unapproved weight-loss procedure—pill supplements apparently
Read MoreHokum sees filmmaker Damian McCarthy return with another horror film that balances a mystery with supernatural creepiness. His previous effort, Oddity, made great use of the terror of inanimate objects moving. For almost 100 minutes, viewers would scan the background as characters talk in the foreground. And the same question would always arise: Did that giant mannequin-sized doll move? Hokum does not linger on the fear of sentient
Read MoreObsession accomplishes the impossible. It takes one of the most beautiful human experiences and makes it crawl under your skin. It’s natural to crave human connection or the innate feeling of being wanted. No one ever considers the most extreme version of this scenario. What if someone needed you like a heroin craving? Filmmaker Curry Barker apparently has thought about this extensively. There
Read MoreMother Mary is the latest of director David Lowery’s line of metaphorical surrealist experimentation within his filmography. Lowery’s previous films, such as The Green Knight and A Ghost Story, tapped into a far more fantasy-oriented surrealism than what’s explored within Mother Mary, but it makes for his most fascinating delve into this euphoric filmmaking style yet. Mother Mary plays with the
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