‘Nirvanna the Band the Show the Movie’ is a Cinematic Miracle
Nirvanna the Band the Show the Movie is Matt Johnson’s continuation of the television series of the same name, which follows
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‘Good Luck, Have Fun, Don’t Die’: A Messy, Zany, A.I. Apocalypse Satire
After a decade since his last feature, Gore Verbinski has finally returned to helm a picture, this time with a
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‘Scarlet’ is Mamoru Hosoda’s Most Ambitious Film
Mamoru Hosoda’s Scarlet, a derivative adaptation of William Shakespeare’s Hamlet. The film begins with the most spiritually charged image of
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‘The Moment’ Review: Charli XCX’s Witty, Incomplete Brat Summer
The Moment takes a satirical angle in a new mockumentary about Charli XCX’s success around the release of her album Brat.
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Sundance Film Festival 2026: ‘The Best Summer’ is Millennial Catnip
Have you ever thought to yourself, “Hey, I wonder if the director of Billy Madison has a bunch of concert
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‘Shrinking’ Season 3 Review: A Thought-Provoking and Emotional Season
There aren’t many shows that make me rethink most decisions I make in my life. But Shrinking is one of
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Sundance Film Festival 2026: ‘Josephine’ is Fearless and Brilliant Storytelling
The movie Josephine at the Sundance Film Festival 2026 takes on one of the most difficult topics of childhood. And it
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Sundance Film Festival 2026: ‘Levitating’ is Spiritually Thrilling
Levitating is the kind of movie one hopes to see at a film festival. The type of narrative aims for
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Jason Statham Kicks Ass in ‘Shelter’
It appears that Ric Roman Waugh is this year’s Richard Linklater, having released two movies in the span of a
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Sundance Film Festival 2026: ‘Take Me Home’ Review
Take Me Home from Sundance Film Festival 2026 offers another perspective on the disability experience, this time from the vantage
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Sundance Film Festival 2026: ‘Joybubbles’ Movie Review
Joybubbles is quite a sincere opening for our Sundance Film Festival 2026 review coverage. Similar to the documentary The Remarkable
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‘The Wrecking Crew’: Ángel Manuel Soto Delivers 2026’s First Must-See Action Film
It may be easy to dismiss Ángel Manuel Soto’s The Wrecking Crew as a fake-looking piece of “content” that only
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